Hiranya Deepthi Dulanjani Menike Herath Ranaweera commonly known as Hiranya Herath (Sinhala: හිරණ්‍යා හේරත්, Tamil: ஹிரன்யா ஹேரத்; Born 18 July 1986 is an Attorney at Law and a politician in the district of Nuwara Eliya, Sri Lanka. She is the only child of the late Renuka Herath a prominent politician and former Health Minister of Sri Lanka. Hiranya Herath was appointed as the UNP organizer of the Walapane electorate in November 2017. Since 2018 she is the opposition leader of the Walapane Pradeshiya Sabha.

Just Like You is the second studio album by American singer Keyshia Cole. It was released by Geffen Records on September 25, 2007 in the United States. Cole started work on the project shortly after the release of her debut album, The Way It Is (2005). She consulted a variety of producers and songwriters to work with her on the album, including Missy Elliott, Bryan-Michael Cox, Scott Storch, Rodney Jerkins, The Runners, J. Wells, Pete Rock, and Soulshock. Guest vocalists include Elliott, Lil' Kim, Too $hort, Amina, Anthony Hamilton, Young Dro, T.I., Chink Santana, and Piper. Upon release, Just like You received mixed to positive reviews from music critics who considered one of the better R&B albums of the year but were critical with the abundance of ballads within the track listing. It was nominated for Best Contemporary R&B Album at the 50th Annual Grammy Awards that was held February 2008, but lost to Ne-Yo's Because of You (2007). As of December 2007, the album has been certified platinum in sales by the Recording Industry Association of America (RIAA) and remains Cole's highest-selling album to date with 1.7 million copies sold.

Auguste Charles Paul Friant (January 12, 1890 – April 22, 1947), was a French tenor. Friant was born in the Montmartre district of Paris. His father was a principal ballet dancer, and his grandfather a professor of ballet at the Paris Opéra. While a boy, Charles Friant sang in the opera chorus, and appeared in the premiere of Vincent d'Indy’s opera L'Etranger in 1902. Friant attended ballet school in Paris from 1901-1906. He met his wife to be, Mademoiselle Mougot, at the ballet school where she taught an acting course in which Friant enrolled. He then trained as an actor with Sarah Bernhardt, joining her company touring Europe 1908-1909. This included performing opposite Bernhardt in Edmond Rostand’s L'Aiglon. In 1910 it was discovered he had a tenor voice, and he went to the Conservatoire de Paris to study singing with noted baritone Léon Melchissédec. On graduating in 1914, he was awarded a first prize in singing as a pupil of and a first prize in opéra-comique as a student of Melchisédec. His operatic debut, postponed by illness and World War I was as Spakos in the first French performance of Jules Massenet’s Cléopâtre at the Théâtre Lyrique du Vaudeville. One notice stated "here is a young tenor of whom it is possible to expect much, especially if he improves his enunciation". Between 1918-1919 he sang at Grenoble's Grand Théâtre. Friant became a principal tenor of the Opéra comique from 1920-1939. His debut at that company, at the Salle Favart, was on February 4, 1920 in the title role of Massenet's opera Werther. Werther became one of his signature roles. He was immediately acclaimed as an extraordinary singer. Friant had a wide repertory, including the title role in Henri Rabaud’s Marouf, Le Chevalier des Grieux in Manon, Gérald in Lakmé, Jean in Le jongleur de Notre Dame (another signature role), Canio in Pagliacci, Cavaradossi in Tosca, and Don José in Carmen. With his acting ability, he was often chosen to create roles in new operas. He sang in the premieres of Le roi Candaule by Alfred Bruneau (as Gygès); and Le Bon Roi Dagobert (as Dagobert), La Hulla (as Narsès), Deux sous de fleurs by Ralph Benatzky, Mandrin by Joseph Szulc (as Antoine), and the title role in Tarass-Boulba by . Other works of his day he was chosen for included le Prince Charmant in Louis Aubert’s La Forêt Bleue and Raphael in ’s La Peau de chagrin. Besides Grenoble and Paris Friant also sang at the casino in Biarritz, the Théâtre Royal de La Monnaie in Brussels, the Opéra de Marseille, and the Nice Opera. Friant appeared at the Algiers Opera (now the Théâtre National Algérien) in the 1926/1927 season in Manon, Tosca, Werther, and Le jongleur de Notre Dame; and in the 1931/32 season in La Peau de chagrin. His final performance was at the Opéra de Monte-Carlo on February 2, 1946 in Carmen in the supporting role of Le Dancaïre. He never sang at the Paris Opéra. He died after a long illness at age 57 in Paris. He has been described as a lyric tenor of surpassing sensitivity. Friant was known for his quick vibrato, articulation and exquisite phrasing. He made each of the characters he portrayed unforgettable. His use of dynamics reached deeply, touching his listeners with more than just the beauty of his voice. Due to his training Friant possessed not only an expressive voice but also a ballet dancer's movement and an actor’s sense of gesture. In a review of some of his recordings, William Ashbrook wrote: "For those who think singing is all beautifully rounded tones, Friant will never make the top twenty, but for listeners who respond to deeply felt dramatic expression he will always be regarded as a cherishable artist". His was a style of classic French singing that died out after World War II. Friant made acoustical recordings for Pathé and the Compagnie Française du Gramophone and electrical recordings for Odéon. He was featured in EMI’s The Record of Singing volume 2 (1914-1925) “The French Tradition in Decline”.

Leah King-Smith is a Bigambul descendant, visual artist and lecturer in the School of Creative Practice (Creative Industries) QUT, Brisbane, Australia. She is best known for her photo compositions. Her 1991 series Patterns of Connection is widely recognised and has been exhibited both in Australia and overseas. King Smith’s work was exhibited in ‘The Thousand Mile Stare: A Photographic Exhibition’ at the Australian Centre for Contemporary Art, Melbourne. Her early work mainly explored the ideas of identity and how it can shift throughout time.

The Târnăveni Unitarian Church is a Unitarian church located at 9 Piața Primăriei, Târnăveni, Romania. Originally built in a Gothic style, the church’s most distinct feature is its 99-panel painted coffered ceiling made in 1769 by János Váradi. Aside from typical Protestant symbolism, includes unique figurative designs such as a hand holding a sword, a chessboard, laughing grapevines and a sickle swinging through a wheat field. The pulpit roof is a high-quality work, carved in 1764 in a Kolozsvár carpentry workshop. The parapet of the western and eastern galleries is painted yellow. The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs. According to this source, the church began to be built in the late 13th century, with work lasting through the 16th, and further construction being carried out in the 18th and 19th.
The Târnăveni Unitarian Church is a Unitarian church located at 9 Piața Primăriei, Târnăveni, Romania. Originally built in a Gothic style, the church’s most distinct feature is its 99-panel painted coffered ceiling made in 1769 by János Váradi. Aside from typical Protestant symbolism, includes unique figurative designs such as a hand holding a sword, a chessboard, laughing grapevines and a sickle swinging through a wheat field. The pulpit roof is a high-quality work, carved in 1764 in a Kolozsvár carpentry workshop. The parapet of the western and eastern galleries is painted yellow.

Auguste Charles Paul Friant (January 12, 1890 – April 22, 1947), was a French tenor. Friant was born in the Montmartre district of Paris. His father was a principal ballet dancer, and his grandfather a professor of ballet at the Paris Opéra. While a boy, Charles Friant sang in the opera chorus, and appeared in the premiere of Vincent d'Indy’s opera L'Etranger in 1902. Friant attended ballet school in Paris from 1901-1906. He met his wife to be, Mademoiselle Mougot, at the ballet school where she taught an acting course in which Friant enrolled. He then trained as an actor with Sarah Bernhardt, joining her company touring Europe 1908-1909. This included performing opposite Bernhardt in Edmond Rostand’s L'Aiglon. In 1910 it was discovered he had a tenor voice, and he went to the Conservatoir