The following is a list of events affecting American television in 2000. Events listed include television series debuts, finales, cancellations, and channel initiations, closures and rebrandings, as well as information about controversies and disputes.

Dinaric Mountains mixed forests
The Dinaric Mountains mixed forests are a terrestrial ecoregion of the temperate broadleaf and mixed forests biome in Southeastern Europe, according to both the WWF and Digital Map of European Ecological Regions by the European Environment Agency. It also is in the Palearctic realm.

White Jamaicans are Jamaicans whose ancestry lies within the continent of Europe, most notably England, Scotland, Wales, Ireland, Spain, Germany and Portugal. In 2018, the population was said to be 12,382 people, equating to 0.4% of the overall population. Historically White Jamaicans made up a much larger percentage of the population, forming a majority for most of the 17th century.

Selected anniversaries (May 2020)

"O Spiritual Pilgrim" is a part song by Gustav Holst based on the poem "The Gates of Damascus" by James Elroy Flecker. Holst dedicated the piece to Gregynog Hall, the home of the art patrons and philanthropists Gwendoline and Margaret Davies. Holst wrote the piece for soprano and mixed chorus. Michael Short, writing in the liner notes of the 1994 Hyperion Records recording of Holst's part songs wrote that Holst treats the journey in Flecker's poem "as a metaphor of life itself" and it ends "with a quiet evocation of spiritual peace and reassurance". Holst visited Gregynog in 1933 for its inaugural Festival of Music and Poetry. Holst dedicated the piece "for Gregynog" on the manuscript score of the piece. Holst had originally intended it to be dedicated to Dora Herbert Jones, but she attempted to persuade him to dedicate it to the Gregynog Choir. The piece was written in the last year of Holst's life. Alan Gibbs, writing in Holst Among Friends, speculates that the themes of the poem may have appealed to Holst due to his growing physical weakness. The first public performance of the piece was given by the Gregynog Choir in 1938. Holst's manuscript score of the piece is in the collection of the National Library of Wales. Margaret Davies donated the score to the library in 1962 along with autographed scores by Walford Davies.

Patrick Chamusso

Unsynchronized talk page redirects

Leonard William Armstrong

White Jamaicans

O Spiritual Pilgrim

Selected anniversaries articles

Patrick Chamusso (born in 1949 in Mozambique) is a member of the African National Congress (ANC) party of South Africa who participated in the militant actions of the organization during the apartheid era. One of three sons, Patrick came to live in South Africa when as a teenager he followed his migrant worker father to work in the mines of South Africa performing odd jobs. After his father's death, Chamusso's mother remarried and bore another daughter. He worked in various jobs on the mines and later found work as a house painter and street photographer.

Peculiar galaxy

2000 in American television

A peculiar galaxy is a galaxy of unusual size, shape, or composition. Between five and ten percent of known galaxies are categorized as peculiar. Astronomers have identified two types of peculiar galaxies: interacting galaxies and active galactic nuclei (AGN). When two galaxies come close to each other, their mutual gravitational forces can cause them to acquire highly irregular shapes. The terms 'peculiar galaxy' and 'interacting galaxy' have now become synonymous because the majority of peculiar galaxies attribute their forms to such gravitational forces.

"O Spiritual Pilgrim" is a part song by Gustav Holst based on the poem "The Gates of Damascus" by James Elroy Flecker. Holst dedicated the piece to Gregynog Hall, the home of the art patrons and philanthropists Gwendoline and Margaret Davies. Holst wrote the piece for soprano and mixed chorus. Michael Short, writing in the liner notes of the 1994 Hyperion Records recording of Holst's part songs wrote that Holst treats the journey in Flecker's poem "as a metaphor of life itself" and it ends "with a quiet evocation of spiritual peace and reassurance".