Post-Painterly Abstraction

Post-shoegaze

Post-truth is a philosophical and political concept that refers to "the disappearance of shared objective standards for truth” and the “circuitous slippage between facts or alt-facts, knowledge, opinion, belief, and truth.” Post-truth discourse is often contrasted with the forms taken by scientific methods and inquiry. The term garnered widespread popularity, in the form of "post-truth politics", in the period around the 2016 U.S. presidential election and the U.K. Brexit referendum. It was named Word of the Year in 2016 by the Oxford Dictionary where it is defined as "Relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” While the term post-truth is relatively recent, the concept can be traced back to earlier moral, epistemic, and political debates about relativism, postmodernism, and mendacity in politics, including nontruthfulness, lies, deception, and deliberate falsehood.

Post-coital sadness

The Post is an English-language newspaper in South Africa owned by Independent News & Media and published in Durban, South Africa.

Post Mortem

Post-Rwandan Genocide refugee crisis

Post-black

Possessive individualism

Post-central gyrus

The period between 1945 and 1979 is sometimes called the post-war era or the period of the post-war political consensus. During this period, aviation was dominated by the arrival of the jet age. In civil aviation the jet engine allowed a huge expansion of commercial air travel, while in military aviation it led to the widespread introduction of supersonic aircraft. By the end of the Second World War Germany and Britain already had operational jet aircraft in military service. The next few years saw jet engines being developed by all the major powers and military jet aircraft entering service with their air forces. The Soviets' most important design bureau for future jet fighter development in the decades to come, Mikoyan-Gurevich, started preparing for building swept-winged jet aircraft with the small, experimental piston-engined MiG-8 Utka pusher, which flew with slightly swept-back wings only months after V-E Day. Supersonic flight was achieved in 1947 by the American Bell X-1 rocket plane, however the use of rocket engines would prove short lived. The development of the afterburner soon allowed jet engines to provide similar levels of thrust and longer range, while needing no oxidant and being safer to handle. The first supersonic jet to enter service was the North American F-100 Super Sabre, in 1954. Meanwhile, commercial jetliners were being developed with the first of these, the British de Havilland Comet, first flying in 1949 and entering service in 1952. The Comet suffered from a new and unexpected problem now known as metal fatigue, several examples crashed and by the time a new version was introduced, American types such as the Boeing 707 had overtaken its design and it was not a commercial success. These types and their descendants contributed to an era of great social change, typified by popular phrases such as "the jet set" and introducing new medical syndromes such as jet lag. The pure turbojet engine is not fuel-efficient. The turbofan engine improves thermodynamic efficiency by passing some air around the engine core and mixing it with the exhaust. This reduces the fuel burned, increasing the range and lowering the cost of operation for a given aircraft. Development had begun in both Britain and Germany during the war but the first production version, the Rolls-Royce Conway did not come into use until around 1960. Attempts were made to develop a supersonic airliner, with the Anglo-French Concorde and Soviet Tupolev Tu-144 entering service during the 1970s, but they proved uneconomic in practice due to the high fuel consumption at supersonic speeds. The associated pollution and sonic boom from these aircraft also raised awareness of the Environmental impact of aviation, making it difficult to find countries prepared to tolerate them. Many other advances took place during this period, such as the introduction of the helicopter, development of the fabric Rogallo wing for sport flying and the reintroduction of the canard or "tail-first" configuration by the Swedish Saab Viggen jet fighter.

Post-Ambient Music

Post-hip hop

Post Bank of Iran (Persian: پست بانک ایران‎) is an Iranian bank.

Possil Marsh is a nature reserve and Site of Special Scientific Interest, of both flora and fauna, within the city of Glasgow, Scotland. The reserve was once part of an extensive system of lochs and marshes which extended throughout much of lowland West Central Scotland. However, centuries of drainage and reclamation have resulted in the elimination of much of this system. Due to its geographic position, the marsh is particularly vulnerable from industrial and residential development. The reserve contains a monument for the High Possil meteorite, which fell there in 1804.

Post 9/11 era

Post miserabile (Latin: Sadly, after) was a papal bull issued by Pope Innocent III on 15 August 1198 calling for the Fourth Crusade in the Holy Land. More than any other crusading bull, it was not issued in response to any single event, such as setback in the East, but was more organisational in tone, foreshadowing the bureaucratic and administrative changes Innocent would make to the crusading institutions.

Post-scarcity

Post-medieval archaeology is a term used in Europe to describe the study of the material past over the last 500 years. Increasingly the field is referred to as Historical archaeology, a term in international usage. It is closely related to Industrial archaeology, although post-medieval archaeology conventionally has not extended its studies past the mid 18th century. Such a 'cut-off' date is increasingly critiqued by work within historical archaeology and contemporary archaeology. Post-medieval sites include Nonsuch Palace in Surrey, The Rose Theatre in London and Fort Amherst in Chatham.

Post-Captain

Post-structuralists

PostScript Magazine

Post-Bop

Post-critical is a term coined by scientist-philosopher Michael Polanyi (1891–1976) in the 1950s to designate a position beyond the critical philosophical orientation (or intellectual sensibility). In this context, "the critical mode" designates a way of relating to reality that was initiated in the years preceding the Enlightenment period and since then has become the predominant intellectual mode of Modernity. (See below.) Polanyi's ideas in this regard were extended in the 1960s and thereafter by William H. Poteat (1919–2000), a professor of philosophy and religion at UNC-Chapel Hill and Duke University, drawing upon and combining in new ways certain ideas of seminal critics of culture since the Enlightenment such as Pascal, Kierkegaard, Arendt, Wittgenstein (later works), and Merleau-Ponty. Those ideas were further extended by several of Poteat's students and by other members of the Polanyi Society. As articulated originally by René Descartes, and named much later, the critical mode of inquiry seeks to arrive at the undistorted truth by filtering one's encounter with reality through a lens of extreme suspicion and doubt. Since its emergence as the predominant epistemic paradigm of Modernity, the critical mode has been assailed by many thinkers, including those mentioned previously, for breeding a pervasive skepticism toward higher-order realities and ideals that contributes to an attitude of rootlessness, nihilism, and despair by disparaging meaning, purpose, and value so that they function only as arbitrary or evolved creations of the human mind. Those critics have noted the resulting idolization of reductionistic objectivity to such an extent as to naively overlook the presence of the observer from the observation, and to devalue subjective experience (as opposed to behavior) as a scientific concern. Advocates of post-critical philosophy assert that the critical perspective, in its idolization of objectivity, tends to lose entirely the dimension of knowing that becomes available only through personal presence, "mindbodily" participation, empathy, caring, and thoughtful hospitality – all aspects of the profoundly personal phenomenon that Poteat and Polanyi refer to as indwelling. Their critique maintains that the critical mode devalues the sensitive and respectful interpretation that takes into account not only the relationship of what and how, but also the relationship of the knower and the known, leaving in its place a colorless, purposeless, meaningless, and exceedingly incomplete world of impersonal objects subject to unchecked manipulation. Further, by judging personal involvement in the process of knowing to be illegitimate, because it adulterates the objectivity of what is to be known, certain inherently personal features of that knowledge are abstracted, including most absurdly the presence of the subject who is doing the knowing, and who is indwelling the context and facts of that knowing. In their view, the critical mode of thinking operates under the unacknowledged presumption that only such a depersonalized relationship can result in unadulterated truth. As a consequence it is for the most part oblivious to the distortions attendant to such an impoverished and reductive relationship. In the view of both Poteat and Polanyi, the term post-critical (as distinct from postmodern) designates a shift to a profound recognition of something quite different that is unrecognizable by the "critical" sensibility, yet vital to all genuine intellectual inquiry: a tacit methodological faith accompanied by an intellectual passion to discover truth and make sense of one's perceptions. To recognize and embrace this truth, Poteat discovered, requires not only an intellectual breakthrough but an existential transformation: from a detached, withdrawn attitude and withheld faith and passion to a pouring forth of one's personal presence, empathy, and creative powers into whatever field of inquiry beckons — actively reaching out to apprehend and indwell yet-undisclosed intimations of truth and reality. Instead of attending solely to the what of a topic (an item of content, a teaching, a matter to be subjected to intellectual mastery and critique as an indifferent object of thought), the shift to the post-critical perspective results in an awakening to a continuous awareness of the how of experience – specifically to the how of one's responsive relationship as a person in the world to that experience – to how one happens to be relating oneself to it. That how awareness is predominantly tacit and not articulable within one's mental monologue or otherwise, which causes it to be all the more potentially consequential to the process of knowing. Poteat and Polanyi taught that moving beyond what they deemed the profoundly flawed mode of critical intellection and reflection that characterizes Modernity and predominates in the academic world requires a fundamental shift in sensibility and perspective to what they call a post-critical mode of being in the world. They understood the post-critical shift to be the essential antidote and natural successor to the critical approach to knowing and its tendency to lose track of the how of knowing while presuming a relationship of critical suspicion, guarded distance, and objectification to achieve "objective knowledge" from which personal presence and involvement are withheld. An idea integral to Poteat's articulation of Post-critical philosophy, derived especially from Maurice Merleau-Ponty, is the mindbody (a term he coined): persons are neither (simply) minds in bodies nor (simply) bodies with minds, especially not in the discrete form conceived by Descartes. Instead persons are mindbodies, both minds and bodies at once, one and the same, inextricable in every aspect, such that "mind" and "body" taken separately are seriously distorting abstractions from the whole person. According to Poteat, one's mindbody is one's place in the world, the "oriented whence" of all of one's activities and the place by means of which, and only in relation to which, all other places and things can make any sense at all. In other words, the mindbody is the sentient, motile, and oriented self – the active center of every person's life.

Post-theist

Post-Byzantine churches (buildings)

Possible Tomorrows

Possum skin cloak

Post-medieval archaeology

A possessory credit in filmmaking is the use of a film credit which gives primary artistic recognition to a single person, usually (but not always) the film's director. Examples include "A Stanley Kubrick film" (The Shining), "A film by Quentin Tarantino" (Pulp Fiction), and "Alfred Hitchcock's Psycho" (Psycho). Possessory credit is also sometimes used in television programs; for example, "Tyler Perry's House of Payne" (Tyler Perry's TBS sitcom House of Payne). Occasionally another word besides "film" is used, such as "A Spike Lee Joint" or "A Martin Scorsese Picture". Possessory credit may also be given to the producer; an example of this is "Steven Spielberg presents Back to the Future". Although the earliest use of possessory credit dates from 1915's The Birth of a Nation, the use of possessory credits expanded particularly in the 1970s and 1980s. The Writers Guild of America has repeatedly tried to limit possessory credits to writers but has always been successfully opposed by the Directors Guild of America (DGA), leaving directors free to try to negotiate such credits if they wish. Sometimes the possessory credit goes to the author of the novel on which the film was based (such as Bram Stoker's Dracula or William Shakespeare's Romeo + Juliet). In the case of Tim Burton's The Nightmare Before Christmas, Burton was not the film's director but instead the writer, producer, and a major creative voice. This may also be an example of a possessory credit being chosen for marketing reasons, as Burton was a more recognized name than the film's director, Henry Selick. The DGA encourages filmmakers to use restraint in taking credit until they have attained widespread name recognition or received at least two established awards of merit for their films, thereby securing their legacies as filmmakers.

Post-graduate year

Post-Futurism

Post Miserabile

Post No Bills (French: Défense d'afficher) is a 1896 French short black-and-white silent comedy film, directed by Georges Méliès, featuring two bill posters squabbling over a poorly guarded wall. The film, long thought lost, was recovered in 2004. It is number 15 on the Star Films catalog. It is approximately 70 seconds long.

In Western usage, the phrase post-war era or postwar era (sometimes capitalized) usually refer to the time since the end of World War II, even though many nations involved in this war have been involved in other wars since. More broadly, a post-war period or postwar period is the interval immediately following the end of a war. A post-war period can become an interwar period or interbellum, when a war between the same parties resumes at a later date (such as the period between World War I and World War II). By contrast, a post-war period marks the cessation of conflict entirely.

PostNord AB is the name of the holding company of the two merged postal companies Posten AB and Post Danmark that were officially merged on 24 June 2009. The name of the group was changed 17 May 2011 from Posten Norden to PostNord. President and CEO is Håkan Ericsson and Jens Moberg is the chairman. The former president and CEO, Lars Idermark, resigned in December 2012 to take up the same positions in the forest group Södra. The former chairman, Fritz Schur, left in April 2013.

Possum-trot

Possum Magic is a picture book by Australian author Mem Fox. The two main characters are Grandma Poss and Hush. Hush has been made invisible by Grandma to protect her from Australian bush dangers. The story details the duo's adventures as they tour Australia searching for the secret to Hush's visibility. It is a rhythmical story of Australia's varied landscapes and the animals in them. In 2017, the Royal Australian Mint struck a series of $1 and $2 coins to commemorate the book.

Post Fiji Stadium

Possessive case

Post-Viral Fatigue Syndrome

Crete, also known as East Prairie or Possum Walk, was a farm town 11 miles from Groveton in Trinity County, Texas. The town was established in 1870 and a school was built in 1884. The name was changed to Crete in 1902. The town was abandoned by 1990, although an Active Church of Christ remains.

Post-structural

Post Mark Collector's Club

Post-Fordist economy

Post-velar nasal

PostPanic is a Dutch film company founded in 1997. PostPanic now includes PostPanic (commercial film), PostPanic Pictures (long format film) and PanicProgram (fresh commercial talent). PostPanic also host and curate the bi-annual PanicRoom.

Possibility Playground is a playground in Port Washington, Ozaukee County, Wisconsin built to accommodate children with special needs and used by children of all abilities. The playground was the brainchild of Mardy McGarry, a special education teacher at Lincoln Elementary School.

Post-Christian

Post-election pendulum for the Australian federal election, 2007

Post-stall

Post-modernest

Post Aruba N.V. is the post office of Aruba, part of the Kingdom of the Netherlands. Post Aruba was privatised on 1 September 2005, having previously been in public ownership.

Possum Walk, Texas

Post-WIMP

Post-apocalyptic literature

Post-Soviet frozen conflicts

Possessive and possessed cases

Post-vocalic r

Post-sale restriction

Post ISD

Possotomè

Post-Impressionism (also spelled Postimpressionism) is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Due to its broad emphasis on abstract qualities or symbolic content, Post-Impressionism encompasses Les Nabis Neo-Impressionism, Symbolism, Cloisonnism, Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement was led by Paul Cézanne (known as father of Post-impressionism), Paul Gauguin, Vincent van Gogh, and Georges Seurat.

Post-independence Burma, 1947-1962

Post-bebop

Post (route)

Post-Impressionism (also spelled Postimpressionism) is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Due to its broad emphasis on abstract qualities or symbolic content, Post-Impressionism encompasses Les Nabis Neo-Impressionism, Symbolism, Cloisonnism, Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement was led by Paul Cézanne (known as father of Post-impressionism), Paul Gauguin, Vincent van Gogh, and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906. Critic Frank Rutter in a review of the Salon d'Automne published in Art News, 15 October 1910, described Othon Friesz as a "post-impressionist leader"; there was also an advert for the show The Post-Impressionists of France. Three weeks later, Roger Fry used the term again when he organized the 1910 exhibition, Manet and the Post-Impressionists, defining it as the development of French art since Manet. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, often thick application of paint, and real-life subject matter, but were more inclined to emphasize geometric forms, distort form for expressive effect, and use unnatural or arbitrary colour.

In logic and universal algebra, Post's lattice denotes the lattice of all clones on a two-element set {0, 1}, ordered by inclusion. It is named for Emil Post, who published a complete description of the lattice in 1941. The relative simplicity of Post's lattice is in stark contrast to the lattice of clones on a three-element (or larger) set, which has the cardinality of the continuum, and a complicated inner structure. A modern exposition of Post's result can be found in Lau (2006).

Post-9/11 Veterans Educational Assistance Act of 2008

Post-harvest losses

Post-critical is a term coined by scientist-philosopher Michael Polanyi (1891–1976) in the 1950s to designate a position beyond the critical philosophical orientation (or intellectual sensibility). In this context, "the critical mode" designates a way of relating to reality that was initiated in the years preceding the Enlightenment period and since then has become the predominant intellectual mode of Modernity. (See below.) Polanyi's ideas in this regard were extended in the 1960s and thereafter by William H. Poteat (1919–2000), a professor of philosophy and religion at UNC-Chapel Hill and Duke University, drawing upon and combining in new ways certain ideas of seminal critics of culture since the Enlightenment such as Pascal, Kierkegaard, Arendt, Wittgenstein (later works), and Merleau-P

In no-limit or pot-limit poker, a post-oak bluff is a very small bet relative to the size of the already-existing pot. This type of bluff may be employed as an attempt at using reverse psychology to steal the pot. It holds comparatively little risk for the player making the bet. The term was popularized by Doyle Brunson in his 1979 book Super System.

Possilpark & Parkhouse

Post-lapsarian

Post-punk genre

Post-modernism and International relations theory

PostModern MTV was a nightly program in the late 1980s and very early 1990s on MTV, originally hosted by Kevin Seal and later by Dave Kendall featuring such pre-grunge "alternative" artists as The Cure, They Might Be Giants, Depeche Mode, Siouxsie and The Banshees, and Love and Rockets. The show was essentially a weeknight version of the Sunday night program 120 Minutes, with an emphasis on a more mainstream appeal.

Post-oak bluff

Post-nation-state world

Possum (song)

Post-Theism

The Post Bank (Pochta Bank, in Russian: Публичное акционерное общество «Почта Банк») is a Russian PAO consumer bank founded on January 28, 2016, and obtained a license from the Central Bank of Russia for banking operations No. 650 on March 25, 2016. It was previously the Leto Bank ("Summer Bank" in Russian: Лето Банк) under VTB24 (Russian: ВТБ24 (ПАО)). Prior to that, it was the "Bezhitsa-Bank" (Russian: Бежица-Банк) in Bryansk. The company's headquarters are in Moscow.

PostBQP = PP

The Post Falls Community United Presbyterian Church is a historic Presbyterian church in Post Falls, Idaho. It was added to the National Register of Historic Places in 1984. It was assembled in 1921 from the combination of two former churches that would moved to the site from other Post Falls locations. The former Post Falls Methodist Episcopal Church building has served as the sanctuary and the former Post Falls First Presbyterian Church building has served as a Christian education wing.

Post-Soviet Russia

Post-transcriptional gene silencing

Possibly (disambiguation)

Possilpark & Parkhouse railway station

A post-creole continuum (or simply creole continuum) is a dialect continuum of varieties of a creole language between those most and least similar to the superstrate language (that is, a closely related language whose speakers assert or asserted dominance of some sort). Due to social, political, and economic factors, a creole language can decreolize towards one of the languages from which it is descended, aligning its morphology, phonology, and syntax to the local standard of the dominant language but to different degrees depending on a speaker's status.

Post-exercise muscle soreness

Post-combustion capture refers to the removal of CO2 from power station flue gas prior to its compression, transportation and storage in suitable geological formations, as part of carbon capture and storage. A number of different techniques are applicable, almost all of which are adaptations of acid gas removal processes used in the chemical and petrochemical industries. Many of these techniques existed before World War II and, consequently, post combustion capture is the most developed of the various carbon-capture methodologies.

Post-left anarchism

Post Box No. 27 is a 1991 Indian Malayalam film, directed by P Anil, starring Mukesh and Siddique in the lead roles.

Possums in New Zealand

Post Oak Township, Johnson County, Missouri

Post-Futurism (alternatively Postfuturism) is a term coined by Vivian Sobchack to describe certain science fiction films of the late 1970s and early 1980s, a genre of science fiction, an artistic movement, and an architectural movement. In the past the term has been used as a synonym for Postmodernism.

Post-Kyoto discussions on carbon emissions

Post Holdings Inc

Post-materialism

Post Bus

Post-Tridentine

Post Norden

Possilpark & Parkhouse railway station serves the Possilpark and Parkhouse areas of Glasgow, Scotland. It is located on the Maryhill Line, 3 miles (5 km) north of Glasgow Queen Street. Services are provided by Abellio ScotRail on behalf of Strathclyde Partnership for Transport.

Post-liberal theologian

Possum Bottom Covered Bridge, also known as the Jackson's Ford Bridge and Hillsdale Bridge, is a historic Burr Arch Truss covered bridge located in Helt Township, Vermillion County, Indiana. It was built in 1876, and is a single span covered timber bridge. It measures 131 feet long and 14 feet wide. It was moved to its present location at the Ernie Pyle Rest Park in 1972. It was listed on the National Register of Historic Places in 1994.

Post-World War I recession

Post-operative infection

Post-racialism

Post-classical Europe

Post-Baroque

Possum Magic is a picture book by Australian author Mem Fox. The two main characters are Grandma Poss and Hush. Hush has been made invisible by Grandma to protect her from Australian bush dangers. The story details the duo's adventures as they tour Australia searching for the secret to Hush's visibility. It is a rhythmical story of Australia's varied landscapes and the animals in them. Fox wrote her first draft for Possum Magic in 1978, during a course in children's literature at Flinders University. Over five years, nine publishers rejected the draft. When it was accepted by Omnibus Books in Adelaide they asked Fox to reduce the four-and-a-half page book, then titled Hush the Invisible Mouse, by two-thirds and to change the mice to Australian animals to place emphasis on her Australian theme. As of 2011, Possum Magic sold three million copies. In 2017, the Royal Australian Mint struck a series of $1 and $2 coins to commemorate the book.

Possom

Post-graduate study

Possum Bottom Covered Bridge

Possia

Post Bank of Iran

Post Codes

Post Mortem (Twelve Foot Ninja song)

Post-medieval archaeology is a term used in Europe to describe the study of the material past over the last 500 years. Increasingly the field is referred to as Historical archaeology, a term in international usage. It is closely related to Industrial archaeology, although post-medieval archaeology conventionally has not extended its studies past the mid 18th century. Such a 'cut-off' date is increasingly critiqued by work within historical archaeology and contemporary archaeology. The traditional date for the beginning of the post-medieval period in Britain has been 1485 when, following the Battle of Bosworth the Tudor dynasty took the throne. In practice, the medieval period is now often extended into the reign of the Tudor monarchs and the boundary between the two eras is not precise. As with all attempts to divide the archaeological record into neat chunks, efforts to impose an exact date on the transition are doomed to be questioned by current and new findings. Given the relatively strong historical record running alongside the archaeological one, post-medieval archaeology is often better positioned to study the effects of known social and political change. The immediacy of the period means that it appeals in fields such as genealogy as well as to students of social history. Post-medieval sites include Nonsuch Palace in Surrey, The Rose Theatre in London and Fort Amherst in Chatham.

Post/Redirect/Get (PRG) is a web development design pattern that prevents some duplicate form submissions, creating a more intuitive interface for user agents (users). PRG supports bookmarks and the refresh button in a predictable way that does not create duplicate form submissions. When a web form is submitted to a server through an HTTP POST request, a web user that attempts to refresh the server response in certain user agents can cause the contents of the original POST request to be resubmitted, possibly causing undesired results, such as a duplicate web purchase.

Post-Leaving Certificate (PLC) courses (Irish: Cúrsa Iar Ard-Teistiméarachta) are a set of courses and qualifications run in Ireland for students who have finished their secondary education. The term refers to post-secondary education courses which are not found within the higher education sector, but the further education sector in Ireland.The majority of students who enrol on a PLC course are under 23, but mature students are also welcome, and increasingly enrolling on such courses. A Post-Leaving Certificate course is taken after a student has passed their Leaving Certificate, and is generally between one and two years in duration. PLC courses are aimed primarily at students who would like to develop vocational or technological skills in order to enter an occupation, or progress to high

Wildfires consume live and dead fuels, destabilize physical and ecological landscapes, and impact human social and economic systems. Post-fire seeding was initially used to stabilize soils. More recently it is being used to recover post wildfire plant species, manage invasive non-native plant populations and establish valued vegetation compositions.

Post-Kantianism

Post Box No. 27

Possum Magic

Post Irradiation Examination Facilities Database

Post-Kantian idealism

Post-industrial music and related fusion genres

Possibility Playground

Post-Progressive

Post-withdrawal syndrome

Post-kala-azar dermatosis

Post-industrial economy

Post-cognivitist psychology

Post-nationalism

Post-temporal fenestra

In the classification of the archaeology of the Americas, the Post-Classic Stage is a term applied to some Precolumbian cultures, typically ending with local contact with Europeans. This stage is the fifth of five archaeological stages posited by Gordon Willey and Philip Phillips' 1958 book Method and Theory in American Archaeology. 1.
* The Lithic stage 2.
* The Archaic stage 3.
* The Formative stage 4.
* The Classic stage 5.
* The Post-Classic stage

Possessory proceeding

PostCapitalism: A Guide to our Future

Post-dominator

Post Denominational Judaism

Post-intensive care syndrome

Possimpible

Possible fetal alcohol effects

A post-game, postgame, or post-match show is a TV or radio presentation that occurs immediately after the live broadcast of a major sporting event.Contents may include:
* replays of key moments in the game.
* interviews with players, coaches and managers.
* analysis of the game by sports commentators.
* footage of celebrating or demoralized fans.
* previews of the next game or series.
* championship and/or MVP trophy presentations.

In computing, post-WIMP ("windows, icons, menus, pointer") comprises work on user interfaces, mostly graphical user interfaces, which attempt to go beyond the paradigm of windows, icons, menus and a pointing device, i.e. WIMP interfaces. The reason WIMP interfaces have become so prevalent since their conception at Xerox PARC is that they are very good at abstracting work-spaces, documents, and their actions. Their analogous paradigm to documents as paper sheets or folders makes WIMP interfaces easy to introduce to other users. Furthermore their basic representations as rectangular regions on a 2D flat screen make them a good fit for system programmers, thus favoring the abundance of commercial widget toolkits in this style. However, WIMP interfaces are not optimal for working with complex tasks such as computer-aided design, working on large amounts of data simultaneously, or interactive games. WIMPs are usually pixel-hungry, so given limited screen real estate they can distract attention from the task at hand. Thus, custom interfaces can better encapsulate workspaces, actions, and objects for specific complex tasks. Applications for which WIMP is not well suited include those requiring continuous input signals, showing 3D models, or simply portraying an interaction for which there is no defined standard widget. Interfaces based on these considerations, now called "post-WIMP", have made their way to the general public. Examples include the interface of the classic MP3 player iPod and a bank's automated teller machine screen. Meanwhile, average desktop computers are still based on WIMP interfaces, and have started undergoing major operational improvements to surpass the hurdles inherent to the classic WIMP interface. These include the exploration of virtual 3D space, interaction techniques for window/icon sorting, focus, and embellishment. The seminal paper for post-WIMP interfaces is "Non Command User Interfaces" by Jakob Nielsen 1993, followed by "The Anti-Mac Interface". Updated proposals are discussed in "Post-WIMP user interfaces" by Andries van Dam. Michel Beaudouin-Lafon subsequently proposed a framework called , that defines a design space for Post-WIMP interaction techniques and a set of properties for comparing them. Examples of Post-WIMP interaction include 3D interaction and .

Post-Punk Revival

Post-Super Bowl Television Shows

Possidius, Saint

Post-Metal

Post-traumatic slave syndrome

PostScript (programming language)

Possessory credit

Post-Graduate Certificate in Education

Post-election pendulum for the Queensland state election, 2017

Post-HC

Post-war strike wave

Possessive S

The Post-9/11 Veterans Educational Assistance Act of 2008 is Title V of the Supplemental Appropriations Act of 2008, Pub.L. 110–252, H.R. 2642, an Act of Congress which became law on June 30, 2008. The act amended Part III of Title 38, United States Code to include a new Chapter 33, which expands the educational benefits for military veterans who have served since September 11, 2001. At various times the new education benefits have been referred to as the Post-9/11 GI Bill, the 21st Century G.I. Bill of Rights, or the Webb G.I. Bill, with many current references calling it simply the new G.I. Bill. President George W. Bush signed H.R. 2642 into law on June 30, 2008.

Post Oak Township is an inactive township in Johnson County, in the U.S. state of Missouri. Post Oak Township was established in 1849, taking its name from Post Oak Creek.

Post-Independence Burma, 1948-1962

Post-traumatic (disambiguation)

Possum Kids

A post-game, postgame, or post-match show is a TV or radio presentation that occurs immediately after the live broadcast of a major sporting event.Contents may include:
* replays of key moments in the game.
* interviews with players, coaches and managers.
* analysis of the game by sports commentators.
* footage of celebrating or demoralized fans.
* previews of the next game or series.
* championship and/or MVP trophy presentations. Postgame shows are generally shorter and less structured than pre-game shows, especially for national broadcasts. In many cases, especially in prime time matchups, there may be virtually no post-game show at all. This is partially due to the unpredictability of the length of a typical sporting event, which can vary in length by a considerable amount depending on clock stoppages and overtime. The post-game show is expected to fill the gap between the end of the game and the start of regularly scheduled programming. A team's success may also portend whether a post-game show is detailed or merely a summary of the box score and highlights.

Post-prandial

Possum Grape is an unincorporated community in Jackson County, Arkansas, United States. The town was named in 1954. For nearly two decades, residents were split on whether the name should be "Possum" or "Grape". Eventually, after much conflict and turmoil, a compromise was reached and the town name officially became Possum Grape.

Post MBA, Advanced Management

Post-order walk

Possible Kill Screen (The Shield)

Post-doctoral training

Post-synchronisation

Post-Kyoto negotiations on greenhouse gas emissions

Possum Grape, Arkansas

Post-Kyoto agreement on carbon emissions

Post-traumatic amnesia (PTA) is a state of confusion that occurs immediately following a traumatic brain injury (TBI) in which the injured person is disoriented and unable to remember events that occur after the injury. The person may be unable to state their name, where they are, and what time it is. When continuous memory returns, PTA is considered to have resolved. While PTA lasts, new events cannot be stored in the memory. About a third of patients with mild head injury are reported to have "islands of memory", in which the patient can recall only some events. During PTA, the patient's consciousness is "clouded". Because PTA involves confusion in addition to the memory loss typical of amnesia, the term "post-traumatic confusional state" has been proposed as an alternative. There are two types of amnesia: retrograde amnesia (loss of memories that were formed shortly before the injury) and anterograde amnesia (problems with creating new memories after the injury has taken place). Both retrograde and anterograde forms may be referred to as PTA, or the term may be used to refer only to anterograde amnesia. A common example in sports concussion is the quarterback who was able to conduct the complicated mental tasks of leading a football team after a concussion, but has no recollection the next day of the part of the game that took place after the injury. Retrograde amnesia sufferers may partially regain memory later, but memories are not regained with anterograde amnesia because they were not encoded properly. The term "post-traumatic amnesia" was first used in 1940 in a paper by Symonds to refer to the period between the injury and the return of full, continuous memory, including any time during which the patient was unconscious.

Post-lingual hearing impairment

Post-Irony

Post-synaptic potential

Post-Hegelian

Possible Planet (Steve Roach album)

Possession of a firearm by a prohibited person

Post-reality politics

Post-Structuralist

Post Antibiotic Effect

Possible dwarf planet

Possessive plural

Post-modern literature

Post-panamax

Possil Marsh

Possession is nine-tenths of the law is an expression meaning that ownership is easier to maintain if one has possession of something, or difficult to enforce if one does not. The expression is also stated as "possession is nine points of the law", which is credited as derived from the Scottish expression "possession is eleven points in the law, and they say there are but twelve."

Post House (disambiguation)

Post-War (album)

Post Leaving Certificate

Post-It

Post-season

Post's class

Post-experience goods

Post-Communist Econ.

Post-war aviation

Post Graduate Institute of Medical Education and Research

Possession is nine-tenths of the law is an expression meaning that ownership is easier to maintain if one has possession of something, or difficult to enforce if one does not. The expression is also stated as "possession is nine points of the law", which is credited as derived from the Scottish expression "possession is eleven points in the law, and they say there are but twelve." Although the principle is an oversimplification, it can be restated as: "In a property dispute (whether real or personal), in the absence of clear and compelling testimony or documentation to the contrary, the person in actual, custodial possession of the property is presumed to be the rightful owner. The rightful owner shall have their possession returned to them; if taken or used. The shirt or blouse you are currently wearing is presumed to be yours, unless someone can prove that it is not."

Post-Foetus

Post-and-beam system

Post It note

Post-pass optimisation

Post Headletter

Post-transplant lymphoproliferative disease

Post-fire seeding

Post-colonial literature

Post Ejaculatory Guilt Syndrome

Post Aruba

Post Falls Community United Presbyterian Church

Post-office problem

Post-Soviet area

Post Office, Courthouse, and Federal Office Building (Oklahoma City)

In the classification of the archaeology of the Americas, the Post-Classic Stage is a term applied to some Precolumbian cultures, typically ending with local contact with Europeans. This stage is the fifth of five archaeological stages posited by Gordon Willey and Philip Phillips' 1958 book Method and Theory in American Archaeology. 1.
* The Lithic stage 2.
* The Archaic stage 3.
* The Formative stage 4.
* The Classic stage 5.
* The Post-Classic stage Cultures of the Post-Classic Stage are defined distinctly by possessing developed metallurgy. Social organization is supposed to involve complex urbanism and militarism. Ideologically, Post-Classic cultures are described as showing a tendency towards the secularization of society. Postclassic Mesoamerica runs from about 900 to 1519 AD, and includes the following cultures: Aztec, Tarascans, Mixtec, Totonac, Pipil, Itzá, Kowoj, K'iche', Kaqchikel, Poqomam, Mam. In the North American chronology, the "Post-Classic Stage" followed the Classic stage in certain areas, and typically dates from around AD 1200 to modern times.

Post-thrombotic pre-ulcer stage

Post-Graduate Hospital

Post-combustion capture

A possessory credit in filmmaking is the use of a film credit which gives primary artistic recognition to a single person, usually (but not always) the film's director. Examples include "A Stanley Kubrick film" (The Shining), "A film by Quentin Tarantino" (Pulp Fiction), and "Alfred Hitchcock's Psycho" (Psycho). Possessory credit is also sometimes used in television programs; for example, "Tyler Perry's House of Payne" (Tyler Perry's TBS sitcom House of Payne). Occasionally another word besides "film" is used, such as "A Spike Lee Joint" or "A Martin Scorsese Picture". Possessory credit may also be given to the producer; an example of this is "Steven Spielberg presents Back to the Future".

Post-positives

Post-colonialism in literature

Post-infectious bronchiolitis obliterans

Post-cognitive dissonance

Post-truth

Pochta Bank

Possibilism (disambiguation)

Possessions of the prophet Muhammad

Post-minimalist

Post-conflict history of Sri Lanka

A post is a moderate to deep passing route in American football in which a receiver runs 10–20 yards from the line of scrimmage straight down the field, then cuts toward the middle of the field (towards the facing goalposts, hence the name) at a 45-degree angle. Cover 3 packages can be effective against the post route if the defender in middle deep coverage is perceptive enough. Also, since the post route is one of the longest routes, an effective pass rush can force the quarterback to get rid of the ball before the receiver can get open.

Post-Ebola syndrome

A post is a moderate to deep passing route in American football in which a receiver runs 10–20 yards from the line of scrimmage straight down the field, then cuts toward the middle of the field (towards the facing goalposts, hence the name) at a 45-degree angle. The post route is designed to beat the opposing secondary deep down the field, resulting in a long pass completion. It works particularly well against secondaries that don't have more than one safety who is effective in coverage, or against defenses that employ 2 or 4 deep zone players, leaving a void deep down the middle. If the safeties play deep enough to stop it, the post route tends to open space for shorter pass routes over the middle. Also, the threat of a post route can force safeties to play far from the line of scrimmage, reducing the number of defenders available to slow down the running game. Cover 3 packages can be effective against the post route if the defender in middle deep coverage is perceptive enough. Also, since the post route is one of the longest routes, an effective pass rush can force the quarterback to get rid of the ball before the receiver can get open. To run the route effectively, a wide receiver must have excellent speed and should be adept at catching the ball in traffic if the safety closes to break up the pass. A variant of the post pattern, in which the receiver cuts infield at a shallower angle, is called a skinny post. It is designed to find a hole in deep coverage, cutting shallow inside the deep sideline defender, but not far enough to draw the middle defender.

Post-Rock

Post-independence Burma, 1948–1962

Post-fascism

Possessive s

Post-denominational churches

Post-Confederation Canada (1867-1914)

Post-trip hop

PostCommunism

Post-Nasal Drip

Post-imperial Mongolia

PostScript Type 1

Post-alveolar click

Post-alveolar lateral approximant

Post Apostolic Age

Post 80s

Post-Queer Theory

Possession Island National Park

Post Mortem (Gurney play)

PostHype was a mail art zine founded by John P. Jacob in 1981. The first issue was created, using pressed Letraset on paper, as a birthday gift to the artist Steven Durland, and modeled on Durland's satirical mini-magazine Tacit. Each of the first four post-card sized issues of PostHype was printed using an original rubber stamp by Jacob, hand carved from photographs made using the photo-booth machine at the Times Square arcade known as Playland, which recorded the visits of other mail artists to New York City. Later issues expanded to document various mail art projects organized by Jacob. In 1983, PostHype 2(5) documented Jacob's project "The Catalogue of Ideas." Having found a trove of discarded, unmarked bank envelopes in a dumpster, Jacob stamped them with the words "Life," "Time," "Death," and "Hunger," wrapped each group of four with a paper band, and asked recipients to transform and return the envelopes to him. "Words," Jacob wrote in the invitation to participate, "are the translation of ideas, made specific and personal by the specific persons who use them." Recipients were asked to respond to the words "in any manner, using the generic form (the small envelopes) as the point of origination." Rather grandiloquently, in the documentation Jacob declared "Consider this 'Catalogue of Ideas,'[...] as Lascaux condensed." Eighty-five artists from twenty-six nations returned envelopes to Jacob, a selection of which were reproduced in the periodical along with a complete list of participants enclosed in a bank envelope marked "Artists." Included among the usual suspects were Ray Johnson, Richard Kostelanetz, and Carl Andre (who proclaimed the project absurd). In 1984, as a participant in the two-day Artists Talk on Art panels related to the exhibition "Mail Art: Then and Now" at the Franklin Furnace, New York, Jacob transcribed and published the contentious exchanges between colleagues in Posthype 3(1), "Mail Art: A Partial Anatomy." Increasingly interested in issues related to censorship, and working with artists in the Soviet Bloc countries of then Eastern Europe, the final issue of PostHype (4(1)) documented a mail and telephone art project entitled "East/West: Mail Art & Censorship." PostHype was discontinued in 1985. A promised new periodical, to be titled Occasional Correspondence, never materialized. In 1987, in a self-proclaimed withdrawal from the mail art community, Jacob self-published The Coffee Table Book of Mail Art: The Intimate Letters of J.P. Jacob. With an advertisement declaring "Each copy contains a valuable original artwork by a famous mailartist!!" Jacob gave away original works from his mail art collection to all recipients of the publication, until both he and it were exhausted. In an undated article entitled "(mis)reading m@ilart," author Matt Ferranto describes PostHype in relation to other mail art zines of the period. "The new availability of quick, inexpensive xerographic printing machines," according to Ferranto, "coupled with the circulation of thousands of names and addresses in such mail art-oriented publications as DOC(K)S in France, Arte Postale in Italy, and Posthype in the United States led many new mail artists to mass mail printed matter to as many individuals as possible. In a situation reminiscent of the potlatch that so fascinated Bataille, these artists engaged in a competition of giving that introduced rivalry and antagonism into the mail art network. Attempting to gain prestige by demonstrating their ability to absorb great expenditures, they also took a perverse approach towards the idea of gift exchange.[...] Many experienced mail artists complained of an 'explosion of junk mail and self-serving egotism.'" Citing Fluxus historian Ken Friedman, Ferranto argues that many such projects were originated by "artists unaware of history and community tr[ying] to become the leading figure in the network," whose aggressive actions spoiled their own nest. The paradoxical issue of mail art fame was already noted by Chuck Welch, in 1986, in his book Networking Currents. Indeed, this was one among the many complaints made by Jacob, the editor as petulant chief despoiler, in a series of essays disclosing his gradual alienation from the mail art community. Mail artist and historian Géza Perneczky, on the other hand, lists PostHype as among the major sources of information pertinent to the mail art activities of the 1980s. A complete run of PostHype, self-published under the imprint of Jacob's Riding Beggar Press, was acquired by the Museum of Modern Art, New York, in 1987. Incomplete sets are held by the Getty Museum (acquired with the Jean Brown Papers) and mail art archives such as the Artpool Art Research Center.

PostPanic

PostBus Switzerland AG

Post Momentary Affliction is the third studio album by Christian metal band Mortification, released in 1993. The album goes back to Mortification's thrash roots, but with the death metal elements still showing. In 2010, HM Magazine ranked it No. 70 on the Top 100 Christian metal albums of all-time list.

Post Chaise

Possneck

Possessions of norway

Post

Possum Walk Creek (disambiguation)

Possible propositions

The Post-9/11 Veterans Educational Assistance Act of 2008 is Title V of the Supplemental Appropriations Act of 2008, Pub.L. 110–252, H.R. 2642, an Act of Congress which became law on June 30, 2008. The act amended Part III of Title 38, United States Code to include a new Chapter 33, which expands the educational benefits for military veterans who have served since September 11, 2001. At various times the new education benefits have been referred to as the Post-9/11 GI Bill, the 21st Century G.I. Bill of Rights, or the Webb G.I. Bill, with many current references calling it simply the new G.I. Bill. President George W. Bush signed H.R. 2642 into law on June 30, 2008. The law is an effort to pay for veterans' college expenses to a similar extent that the original G.I. Bill did after World War II. The main provisions of the act include funding 100% of a public four-year undergraduate education to a veteran who has served three years on active duty since September 11, 2001. The act also provides the ability for the veteran to transfer benefits to a spouse or children after serving (or agreeing to serve) ten years. This bill was written, introduced and guided to passage by Senator Jim Webb of Virginia, who introduced it on his first day in the Senate in January 2007. Webb's hope was that these benefits would help current veterans as much as the original G.I. Bill helped the Greatest Generation in shaping America. The original Post-9/11 GI Bill's provisions went into effect on August 1, 2009. In 2017, according to CBS News, approximately 40 percent of all GI Bill funds were distributed to for-profit colleges.

Post-World War II air-to-air combat losses

Post-apocalyptic science fiction

Post-op transsexual

Post-war

Post-continental philosophy

Post-Zionist

Post-Mao reforms

Possession (1944 film)

Post & Mail Tower

Post-Impressionism

Post-Newsweek Stations

Post Kyoto carbon emission negotiations

Post-emo

Post-traumatic amnesia (PTA) is a state of confusion that occurs immediately following a traumatic brain injury (TBI) in which the injured person is disoriented and unable to remember events that occur after the injury. The person may be unable to state their name, where they are, and what time it is. When continuous memory returns, PTA is considered to have resolved. While PTA lasts, new events cannot be stored in the memory. About a third of patients with mild head injury are reported to have "islands of memory", in which the patient can recall only some events. During PTA, the patient's consciousness is "clouded". Because PTA involves confusion in addition to the memory loss typical of amnesia, the term "post-traumatic confusional state" has been proposed as an alternative.

Post-traumatic stress disorders

A post-industrial economy refers to a period of growth within an industrialized economy or nation in which the relative importance of manufacturing reduces and that of services, information, and research grows.Such economies are often marked by:
* A declining manufacturing sector, resulting in de-industrialization.
* A large service sector.
* An increase in the amount of information technology, often leading to an "information age". Information, knowledge, and creativity are the new raw materials of such an economy. The industry aspect of a post-industrial economy is sent into less developed nations which manufacture what is needed at lower costs (see outsourcing). This occurrence is typical of nations that industrialized in the past such as the United Kingdom (first industrialised nation), most of Western Europe and the United States.

Post-election Trump rallies

Post-abduction syndrome

Post-positivist

Post-dated

Post-creole continuum

Post-Watershed

Post-development

Post-Denominational Judaism

PostHype was a mail art zine founded by John P. Jacob in 1981. The first issue was created, using pressed Letraset on paper, as a birthday gift to the artist Steven Durland, and modeled on Durland's satirical mini-magazine Tacit. Each of the first four post-card sized issues of PostHype was printed using an original rubber stamp by Jacob, hand carved from photographs made using the photo-booth machine at the Times Square arcade known as Playland, which recorded the visits of other mail artists to New York City. Later issues expanded to document various mail art projects organized by Jacob.

PostModern MTV was a nightly program in the late 1980s and very early 1990s on MTV, originally hosted by Kevin Seal and later by Dave Kendall featuring such pre-grunge "alternative" artists as The Cure, They Might Be Giants, Depeche Mode, Siouxsie and The Banshees, and Love and Rockets. The show was essentially a weeknight version of the Sunday night program 120 Minutes, with an emphasis on a more mainstream appeal. After the departure of the original host, a reworked program entitled Alternative Nation was introduced, which followed a similar format and feel.The MTV Europe Edition of the PostModern show was hosted by Pip Dann in the 1990s.

Post-Modern MTV

Post-humanism

Post Colonial Anarchism

Post's lattice

Post-9/11 world

Post-Autistic Economics Newsletter

Post-traumatic amnesia

Post-boy

Post Cour.

Post-Minimalist Ambient Music

Post-modern

Post-fermentated tea

Post-growth economics

Possotomè is an arrondissement in the Mono department of Benin. It is an administrative division under the jurisdiction of the commune of Bopa. According to the population census conducted by the Institut National de la Statistique Benin on February 15, 2002, the arrondissement had a total population of 6,889.

Post-Keynesian economists

Post-man

Post-intensive care syndrome (PICS) describes a collection of health disorders that are common among patients who survive critical illness and intensive care. Generally, PICS is considered distinct from the impairments experienced by those who survive critical illness and intensive care following traumatic brain injury and stroke. The range of symptoms that PICS describes falls under three broad categories: physical impairment, cognitive impairment, and psychiatric impairment. A person with PICS may have symptoms from all three categories or just one. A video overview is available.

Post (South Africa)

Post-structuralist

Possessions in Nine-Tenths of a Car

Post-mortem (disambiguation)

Post-election pendulum for the Victorian state election, 2002

Possession is nine-tenths of the law

Post-hole

Post-critical

Possible Worlds

Post-normal

Post Bank (Russia)

Post-1945

Post-mortem debugging

Post (cereal company)

Post-truth is a philosophical and political concept that refers to "the disappearance of shared objective standards for truth” and the “circuitous slippage between facts or alt-facts, knowledge, opinion, belief, and truth.” Post-truth discourse is often contrasted with the forms taken by scientific methods and inquiry. The term garnered widespread popularity, in the form of "post-truth politics", in the period around the 2016 U.S. presidential election and the U.K. Brexit referendum. It was named Word of the Year in 2016 by the Oxford Dictionary where it is defined as "Relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.”

Post-translation modifications

Post-ictal

Post-graduate

Post-Conflict Reconstruction Unit.

Post-Acid

In computing, post-WIMP ("windows, icons, menus, pointer") comprises work on user interfaces, mostly graphical user interfaces, which attempt to go beyond the paradigm of windows, icons, menus and a pointing device, i.e. WIMP interfaces. Interfaces based on these considerations, now called "post-WIMP", have made their way to the general public. Examples include the interface of the classic MP3 player iPod and a bank's automated teller machine screen.

Post-game show

Post-watershed

Post-civil war clashes in Libya

The Post-Mauryan coinage of Gandhara refers to the period of coinage production in Gandhara, following the breakup of the Maurya Empire (321-185 BCE). When Mauryan central power disappeared, several small independent entities were formed, which started to strike their own coins, defining a period of Post-Mauryan coinage that ends with the rise of the Gupta Empire in the 4th century CE. This phenomenon was particularly precocious and significant in the area of Gandhara in the northwest, and more particularly in the city of Taxila, in modern-day Pakistan.

Post-intensive care syndrome (PICS) describes a collection of health disorders that are common among patients who survive critical illness and intensive care. Generally, PICS is considered distinct from the impairments experienced by those who survive critical illness and intensive care following traumatic brain injury and stroke. The range of symptoms that PICS describes falls under three broad categories: physical impairment, cognitive impairment, and psychiatric impairment. A person with PICS may have symptoms from all three categories or just one. A video overview is available. Improvements in survival after a critical illness have led to research focused on long-term outcomes for these patients. This improved survival has also led to the discovery of significant functional disabilities that many survivors of critical illness suffer. Because the majority of literature in critical care medicine is focused on short-term outcomes (e.g. survival), current understanding of PICS is relatively limited. Recent research suggests that there is significant overlap among the three broad categories of symptoms. In addition, sedation and prolonged immobilization seem to be common themes among patients who suffer from PICS. The term PICS arose around 2010, at least in part, to raise awareness of the important long-term dysfunctions resulting from treatment in the intensive care unit (ICU). Awareness of these long-term functional disabilities is growing, and research is ongoing to further clarify the spectrum of disabilities and to find more effective ways to prevent these long-term complications and to more effectively treat functional recovery. Increased awareness in the medical community has also highlighted the need for more hospital and community-based resources to more effectively identify and treat patients with suffering from PICS after surviving a critical illness.

"Post-Acid" is the lead single from Wavves' album King of the Beach. It was made available digitally June 9, 2010 by Mountain Dew's label, Green Label Sound. Patrick O' Dell directed a video for the song, featuring an introduction by John Norris and a cameo by skateboarder Kevin Long as an alien. The video premiered on the Green Label Sound website August 26, 2010. The song is also used in the short film Scott Pilgrim vs. The Animation. Pitchfork placed "Post Acid" at number 85 on their Top 100 Tracks of 2010.

Post-coup unrest in Egypt (2013-2014)

Post-doc

Post-war dream

Post-coup unrest in Egypt (2013–15)

In the philosophy of religion and theology, post-monotheism (from Greek μόνος "one" and θεός "god," with the Latin prefix "post-" as in "after" or "beyond") is a term covering a range of different meanings that nonetheless share concern for the status of faith and religious experience in the modern or post-modern era. There is no one originator for the term. Rather, it has independently appeared in the writings of several intellectuals on the Internet and in print. Its most notable use has been in the poetry of Arab Israeli author Nidaa Khoury, and as a label for a "new sensibility" or theological approach proposed by the Islamic historian Christopher Schwartz.

Post-exilic

Post Hardcore

Post-apartheid South Africa

Possibilists

Possum Trot, Kentucky

Post/Redirect/Get (PRG) is a web development design pattern that prevents some duplicate form submissions, creating a more intuitive interface for user agents (users). PRG supports bookmarks and the refresh button in a predictable way that does not create duplicate form submissions. When a web form is submitted to a server through an HTTP POST request, a web user that attempts to refresh the server response in certain user agents can cause the contents of the original POST request to be resubmitted, possibly causing undesired results, such as a duplicate web purchase. To avoid this problem, many web developers use the PRG pattern—instead of returning a web page directly, the POST operation returns a redirection command. The HTTP 1.1 specification introduced the HTTP 303 ("See other") response code to ensure that in this situation, the web user's browser can safely refresh the server response without causing the initial POST request to be resubmitted. However, most common commercial applications in use today (new and old alike) still continue to issue HTTP 302 ("Found") responses in these situations. The PRG pattern cannot address every scenario of duplicate form submission. For example, if a web user refreshes before the initial submission has completed because of server lag, a duplicate POST request will occur in certain user agents.

Post Gazette Pavilion at Star Lake

Possumhaw viburnum

Post No Bills (1896 film)

Post-Apocalyptic Movies

Post-perfusion syndrome

Possible Debuting Countries In The Eurovision Dance Contest

PostNord AB is the name of the holding company of the two merged postal companies Posten AB and Post Danmark that were officially merged on 24 June 2009. The name of the group was changed 17 May 2011 from Posten Norden to PostNord. President and CEO is Håkan Ericsson and Jens Moberg is the chairman. The former president and CEO, Lars Idermark, resigned in December 2012 to take up the same positions in the forest group Södra. The former chairman, Fritz Schur, left in April 2013. The Swedish state is the majority share holder with 60% and the remaining 40% is held by the Danish state. Voting rights are shared equally (50/50).

Post-1992 university

Possibility Playground is a playground in Port Washington, Ozaukee County, Wisconsin built to accommodate children with special needs and used by children of all abilities. The playground was the brainchild of Mardy McGarry, a special education teacher at Lincoln Elementary School. With donations from several local organizations and many individuals, McGarry was able to raise enough money for the building materials. The actual construction was done by thousands of volunteers, beginning in September 2008 and completed within six days. Opened in October 2008, the playground has equipment that accommodates the disabilities of special needs children so that they can navigate the playground with ease.

Post-monotheism

Post & Courier

Post, George

Possum Trot is an unincorporated community in Marshall County, Kentucky, United States. Possum Trot is located on Highway 62 between Paducah and Calvert City in the Jackson Purchase region of Western Kentucky.

Post-glacial

Post-concussion symptoms

PostAuto Schweiz

Post No Bills

Post-hoc analyses

Possession of firearms

Post-minimal

Post Momentary Affliction

Post-Leaving Certificate (PLC) courses (Irish: Cúrsa Iar Ard-Teistiméarachta) are a set of courses and qualifications run in Ireland for students who have finished their secondary education. The term refers to post-secondary education courses which are not found within the higher education sector, but the further education sector in Ireland.The majority of students who enrol on a PLC course are under 23, but mature students are also welcome, and increasingly enrolling on such courses. A Post-Leaving Certificate course is taken after a student has passed their Leaving Certificate, and is generally between one and two years in duration. PLC courses are aimed primarily at students who would like to develop vocational or technological skills in order to enter an occupation, or progress to higher education.

The period between 1945 and 1979 is sometimes called the post-war era or the period of the post-war political consensus. During this period, aviation was dominated by the arrival of the jet age. In civil aviation the jet engine allowed a huge expansion of commercial air travel, while in military aviation it led to the widespread introduction of supersonic aircraft.

Possum banksia

Post-Mauryan coinage of Gandhara

Post-Stand.

Post-Hittite

PostModern MTV

Post-harvest losses (fruit and vegetables)

Post Graduate Diploma in Business Management

Post Danmark Rundt

Possession (Sarah Mclachlan song)

Post Acid

Post-test probabilities

Post-People Power era

Post-Turing Model

Possente spirito

Possum Springs

Possibilian

Post Oak Bend City

Post-consumer material

Post-hardcore punk rock

Post Mortem is a two-act play written by late–20th–century/early–21st–century playwright A. R. Gurney. It was first produced on stage in New York City in November 2006.

Post Graduate Medical Institute, Peshawar

Post-processualism

Post-partum depression

Possible worlds

Post Network Era

Post-anntennal organ

Post-secondary institution system

Possom Bottom Covered Bridge

Post-traumatic punctate intraepidermal hemorrhage

PostHype

Post-alveolar trill

Post-Classic stage

Post-Translation Studies

Post-Anarchism

A post-industrial economy refers to a period of growth within an industrialized economy or nation in which the relative importance of manufacturing reduces and that of services, information, and research grows.Such economies are often marked by:
* A declining manufacturing sector, resulting in de-industrialization.
* A large service sector.
* An increase in the amount of information technology, often leading to an "information age". Information, knowledge, and creativity are the new raw materials of such an economy.

Post-Dispatch

Post/Redirect/Get

Post-independence History of Pakistan

Post-Colonial Studies

Post-invasion occupation of Iraq

Post Inferno Soundtrack

PostNord

Post-war Sino-Japanese relations