Portugal

Wood

* Colorado Rockies
* Houston Astros
* Chicago Cubs

CAHIR

San Augustine, Texas, San Augustine County, Texas,

Station opened

Former eastbound exit and westbound entrance; exit number corresponded to I-75
Central Avenue, Jackman Road
Jeep Parkway, Willys Parkway

Socialist Party

incomplete

Mission Dolores State Historic Site

Right

Greater Victoria Harbour Authority & Transport Canada

Source: Water Aerodrome Supplement

Canada British Columbia

Responsible body: Texas Historical Commission

Milo Duane Cruz - bass

Portuguese legislative election, 1976

Water

Public

Social Democratic Party

CYWH

Colorado Rockies

* World Series champion
* All-Star

Female

Sources: Canada Flight Supplement

Melvin Leyson - drums

Sylvania Township

Meff is a term of abuse, sometimes affectionate. The term is used in north-west England especially Liverpool. It is derived from the practice of hardened alcoholics drinking methylated spirits as they are untaxed and therefore cheaper.

rail

Toledo

ff0000

Belgrade, SR Serbia, SFR Yugoslavia

Metro Manila

TAPH

Vasilios Rentzas

(Limerick-Waterford)

PDT

Eastbound exit and westbound entrance

William Dexter Fowler (born March 22, 1986) is an American professional baseball center fielder who is a free agent. He has played in Major League Baseball (MLB) for the Colorado Rockies, Houston Astros, and Chicago Cubs. He represented the United States in the 2008 Summer Olympics as a member of the United States national baseball team.

Concrete
Bill Wellburn
Private

MLB

BBQ

Mani Menon

Westbound exit to northbound SR 51 and eastbound entrance from southbound SR 51 only
Eastbound exit and westbound entrance; northern terminus & signed as exits 20A & 20B ; I-75 exit 204
Rosa Parks Highway
Signed as exits 8A and 8B southbound

Dong Abay - vocals

Lucas

Victoria Harbour

Victoria Inner Harbour Airport

The Khazars (Turkish: Hazarlar, Tatar: Xäzärlär, Hebrew: כוזרים‎ (Kuzarim), Arabic: خزر‎‎ (khazar), Ukrainian: Хоза́ри, Russian: Хаза́ры, Persian: خزر‎‎, Greek: Χάζαροι, Latin: Gazari/Cosri/Gasani) were a semi-nomadic Turkic people, who created what for its duration was the most powerful polity to emerge from the breakup of the Western Turkic Kaganate, the Khazar Khaganate or Khazaria. Astride a major artery of commerce between northern Europe and southwestern Asia, Khazaria became one of the foremost trading emporia of the medieval world, commanding the western marches of the Silk Road and playing a key commercial role as a crossroad between China, the Middle East and Kievan Rus'. For some three centuries (c. 650–965) the Khazars dominated the vast area extending from the Volga-Don steppes to the eastern Crimea and the northern Caucasus.Khazaria long served as a buffer state between the Byzantine Empire and both the nomads of the northern steppes and the Umayyad Caliphate, after serving as Byzantium's proxy against the Sasanian Persian empire. The alliance with the Byzantian Roman empire ended following the Abbasid revolution ending the Ummayad Caliphate and the rise of Baghdad as Madīnat as-Salām. In 758, the Abbasid Caliph al-Mansur attempted to strengthen diplomatic ties with the Khazars, and is said to have ordered Yazid ibn Usayd al-Sulami, one of his nobles and the military governor of Armenia, to the daughter and princess of the Bahgatun Khagan, ruler of Khazaria. Some hostilities persisted as a consequence of her untimely and early death, which the father and Bahgatun Khagan of Khazaria initially believed was a murder; although the relationships between the now prosperous and far more tolerant, multicultural Abbasid Caliphate and the Jewish Khaganate grew increasingly cordial[1]. Consequently Byzantium began to encourage the Alans to attack Khazaria and weaken its hold on Crimea and the Caucasus, while seeking to obtain an entente with the rising Rus' power to the north, which it aspired to convert to Christianity. Between 965 and 969, the Kievan Rus' ruler Sviatoslav I of Kiev conquered the capital Atil and destroyed the Khazar state.The native religion of the Khazars is thought to have been Tengrism, like that of the North Caucasian Huns and other Turkic peoples. The polyethnic populace of the Khazar Khaganate appears to have been a multiconfessional mosaic of pagan, Tengrist, Jewish, Christian and Muslim worshippers. The ruling elite of the Khazars was said by Judah Halevi and Abraham ibn Daud to have converted to Rabbinic Judaism in the 8th century, but the scope of the conversion within the Khazar Khanate remains uncertain. Proposals of Khazar origins have been made regarding the Slavic Judaising Subbotniks, the Bukharan Jews, the Muslim Kumyks, Kazakhs, the Cossacks of the Don region, the Turkic-speaking Krymchaks and their Crimean neighbours the Karaites to the Moldavian Csángós, the Mountain Jews and others.In the late 19th century, a theory emerged that the core of today's Ashkenazi Jews are genetically descended from a hypothetical Khazarian Jewish diaspora who had migrated westward from modern Russia and Ukraine into modern France and Germany. This theory still finds occasional support, but most scholars view it with skepticism. This theory is sometimes dismissed by zionists as anti-semittic, as it opposes a strict racial definition of Judaism. It might be interpolated that Jews seem to develop their theories from this notion, or similar (cf. Arthur Koestler[2]

Perrysburg

Director of theVattikuti Urology Institute,Detroit, MI

in Maumee
in Toledo

YWH

Susan

Westbound exit and eastbound entrance

Paved

Pan is a Filipino folk/punk rock band formed in 2002. The band members were composed of Dong Abay on vocals, Onie Badiang on guitar, Milo Duane Cruz bass, and Melvin Leyson on drums.Some songs from their album "Parnaso ng Payaso" won as Best Folk/Pop Recording at the AWIT Awards in 2003), "Mabuhay!" ("Long Live") and "Rebolusyon" ("Revolution"). Some notable songs from the album include "Dumpsite", and "Hula".Pan played for the local rock circuit, but in 2003, Abay decided to go back to school to finish his bachelor's degree. Thus, the demise of Pan.

Salisbury Road runs west, Dussel Drive runs east; added 1989
Talmadge Road

Anatoly Rykov is a Russian art and political theorist and historian of ideas, professor at St Petersburg University. In his numerous writings Professor Rykov argues that leftist projects in art and culture often employ repressive and totalitarian concepts and metaphors. He introduced the notion of “radical conservatism” in order to explain this phenomenon in the theoretical matrix of the avant-garde and its postmodern interpretation. An expert on both Russian and Western art history and theory, he has written on a range of subjects in the Renaissance, 18th, 19th and 20th Century art. In his award-winning book, Postmodernism as radical conservatism (2007), he analyses the connotations of right-wing politics and philosophy in the work of eminent representatives of American art theory. His other publications include Marxism and Loneliness (On the “Political Unconscious” of the Contemporary Humanities in the West, Foundations of Art Theory (2007), Origins of the avant-garde (2016), and Formalism: Sociology of art (2016). His current research project Russian Art Theory: between Fascism and Shamanism concerns the issues of convergence between different political and sacral discourses in Russian twentieth-century theories of art.Bibliography“El discreto encanto de la traicion. Cuestiones en torno a la interpretacion filosofica-politica de la obra de Picasso” in Carlos Mata Indurain y Anna Morozova (eds.). Temas y formas hispanicas: arte, cultura y sociedad. Pamplona, Servicio de Publicaciones de la Universidad de Navarra, 2015 (Biblioteca Aurea Digital, BIADIG, 28), pp. 355–362. ISBN: 978-84-8081-450-8.“Antiquity, Avant-garde, Totalitarianism: Towards a Metamorphology of Modern Art” in Actual Problems of Theory and History of Art. Vol. 5. St. Petersburg: NP-Print, 2015, pp. 745–752.“Moscow does not believe in tears. Russian avant-garde as an aesthetics of war” in Proceedings of the Russian Institute for Art History (Vremennik of the Zubovskiy Institute) 2015. № 1 (14).“Around Leonardo da Vinci: Modernism, Terror, Dreams and Metahistory” in Journal of St. Petersburg University. Series 15. 2015 № 4. pp. 98-108.“Dark Side of the Museum. Revisiting the Perception of the Cultural Institution in Contemporary Western Theory” in The Museum and Museum Specialists: Problems of Professional Education (Proceedings of the International Conference 14-15 November 2014). St/ Petersburg, The State Hermitage Publishers, 2015), pp. 94-100.“Picasso and politics. Issues of philosophical interpretation of Cubism” in Studia Culturae № 1 (23) 2015, pp. 74–84.“Politics of Modernism. Nikolay Punin and Alexander Blok” in Proceedings of the History Department of Saint-Petersburg University. 2016. Vol. 25, pp. 177-184.Phantom pain. On the reception of Renaissance art in the Modern Epoch // Actual Problems of Theory and History of Art. Vol. 6. 2016. pp.716-723.“Twilight of the Silver Age. Politics and the Russian Religious Modernism in D.S.Merezhkovsky’s novel Napoleon” in Studia Culturae 2016 № 1 (27), pp. 9–17.“Russian Modernism as Fascism. The Case of Nikolay Punin” // Art and Politics in Europe in the Modern Period. Zagreb, 2016. pp. 81-82.Scythians, Celts, and Aryans. Racist/nationalist mythologies in the avant-garde theories of art in Actual Problems of Theory and History of Art. St. Petersburg: NP-Print, 2016. pp. 352-353.“Between a Conservative Revolution and Bolshevism. Nikolai Punin’s Total Aesthetic Mobilization” // The New Literary Observer №140 (4/2016) pp. 240-258.“Eternal recurrence of the Other. An issue of time in Classical and Modern Art” in Art History, Journal of Russian Institute of Art History. 2006, no. 2, pp. 539–559.“Investments into the dream. American myth in David Hockney’s Californian works and the USA art of the 1960s” in Iskusstvoznanie (Art History), Journal of the Russian Institute of Art History. 2006, no. 2, pp. 402–417.“Clement Greenberg and American theory of contemporary art in the 1960s” in Art History, Journal of the Russian Institute of Art History. 2007, no. 1-2, pp. 538–563.“Theodor Adorno as an Art Theorist” in Journal of Saint-Petersburg University. Series 2, 2007, no. 4., pp. 287–294.“On the origins and essentialist theories of Modern and Contemporary art” in Iskusstvoznanie (Art History), Journal of the Russian Institute of Art History. 2009, no. 1-2, pp. 110–132.“Towards the historical interpretation of Quattrocento art (Botticelli and Mantegna)” in Art History, Journal of the Russian Institute of Art History. 2010, no. 3-4, pp. 219–243.“Modernist art: rhetorical systems” // Journal of Saint-Petersburg University. Series 2, 2011, no. 4, pp. 51–57.“On the Origins of Modernist Paradigm in Nineteenth-Century Art” in Journal of Saint-Petersburg University. Series 2, 2013, no. 3, pp. 123–132.“Avant-garde art in front of the public and criticism (On David Cottington’s Cubism in the Shadow of War)” in Art and Viewer (Trudy Istoricheskogo Faculteta SPbGU. №.16) / (SPbGU UP: St. Petersburg, 2013). pp. 270–284.“Modernist art and the idea of Progress” in Journal of Saint-Petersburg University. Series 2, 2014, no. 3, pp. 73–82.“Discourse of Aestheticism/Totalitarianism (Towards a Sociopolitical Theory of the Avant-garde)” in Actual Problems of Theory and History of Art. Vol. 4. St. Petersburg: NP-Print, 2014, pp. 381–391.“From the Good Savage to the Wicked Avant-gardist. The Modernist Myths in Western European Art of the Eighteenth Century” in Proceedings of the History Department of Saint-Petersburg University. Vol. 20. 2014. pp. 336–346.“Formalism, Avant-garde, Classics. Heinrich Woelfflin as an Art Theorist” in Proceedings of the History Department of Saint-Petersburg University. Vol. 22. 2015. pp. 155-160.“El discreto encanto de la traicion. Cuestiones en torno a la interpretacion filosofica-politica de la obra de Picasso” in Carlos Mata Indurain y Anna Morozova (eds.). Temas y formas hispanicas: arte, cultura y sociedad. Pamplona, Servicio de Publicaciones de la Universidad de Navarra, 2015 (Biblioteca Aurea Digital, BIADIG, 28), pp. 355–362. ISBN: 978-84-8081-450-8.“Antiquity, Avant-garde, Totalitarianism: Towards a Metamorphology of Modern Art” in Actual Problems of Theory and History of Art. Vol. 5. St. Petersburg: NP-Print, 2015, pp. 745–752.“Moscow does not believe in tears. Russian avant-garde as an aesthetics of war” in Proceedings of the Russian Institute for Art History (Vremennik of the Zubovskiy Institute) 2015. № 1 (14).“Around Leonardo da Vinci: Modernism, Terror, Dreams and Metahistory” in Journal of St. Petersburg University. Series 15. 2015 № 4. pp. 98-108.“Dark Side of the Museum. Revisiting the Perception of the Cultural Institution in Contemporary Western Theory” in The Museum and Museum Specialists: Problems of Professional Education (Proceedings of the International Conference 14-15 November 2014). St/ Petersburg, The State Hermitage Publishers, 2015), pp. 94-100.“Picasso and politics. Issues of philosophical interpretation of Cubism” in Studia Culturae № 1 (23) 2015, pp. 74–84.“Politics of Modernism. Nikolay Punin and Alexander Blok” in Proceedings of the History Department of Saint-Petersburg University. 2016. Vol. 25, pp. 177-184.Phantom pain. On the reception of Renaissance art in the Modern Epoch // Actual Problems of Theory and History of Art. Vol. 6. 2016. pp.716-723.“Twilight of the Silver Age. Politics and the Russian Religious Modernism in D.S.Merezhkovsky’s novel Napoleon” in Studia Culturae 2016 № 1 (27), pp. 9–17.“Russian Modernism as Fascism. The Case of Nikolay Punin” // Art and Politics in Europe in the Modern Period. Zagreb, 2016. pp. 81-82.Scythians, Celts, and Aryans. Racist/nationalist mythologies in the avant-garde theories of art in Actual Problems of Theory and History of Art. St. Petersburg: NP-Print, 2016. pp. 352-353.“Between a Conservative Revolution and Bolshevism. Nikolai Punin’s Total Aesthetic Mobilization” // The New Literary Observer №140 (4/2016) pp. 240-258.“Nikolay Punin’s Views on Art and Politics in the Early Soviet Period” // The Social Sciences 2016 Vol.11 №19 pp. 4745-4750.

East

fowler002wil

Cahir

Movements from Statistics Canada

Home runs

The Khazars (Turkish: Hazarlar, Tatar: Xäzärlär, Hebrew: כוזרים‎ (Kuzarim), Arabic: خزر‎‎ (khazar), Ukrainian: Хоза́ри, Russian: Хаза́ры, Persian: خزر‎‎, Greek: Χάζαροι, Latin: Gazari/Cosri/Gasani) were a semi-nomadic Turkic people, who created what for its duration was the most powerful polity to emerge from the breakup of the Western Turkic Kaganate, the Khazar Khaganate or Khazaria.

n/a

Location in British Columbia

Northern end of US 23 concurrency; route orientation changes from north–south to east–west
former

Location within Texas today

Bokan at the Despot Stefan Lazarević Memorial

Anatolii V. Rykov
Anatoly Rykov is a Russian art and political theorist and historian of ideas, professor at St Petersburg University. In his numerous writings Professor Rykov argues that leftist projects in art and culture often employ repressive and totalitarian concepts and metaphors. He introduced the notion of “radical conservatism” in order to explain this phenomenon in the theoretical matrix of the avant-garde and its postmodern interpretation.

Filoktitis Melivoia

Sue, Susie, Susannah, Suzanne

Aircraft movements

D. Featherby

Jackman Road was signed westbound only; entrances were via Upton Avenue; exit removed 2012
Secor Road

Switch

parliamentary

USA Texas

Jacob Stephen Lindgren (born March 12, 1993) is an American professional baseball pitcher for the Atlanta Braves of Major League Baseball (MLB). He previously played for the New York Yankees.

South

Dexter-Fowler

Maumee

Onie Badiang - guitars

yes

Pan is a Filipino folk/punk rock band formed in 2002. The band members were composed of Dong Abay on vocals, Onie Badiang on guitar, Milo Duane Cruz bass, and Melvin Leyson on drums.Some songs from their album "Parnaso ng Payaso" won as Best Folk/Pop Recording at the AWIT Awards in 2003), "Mabuhay!" ("Long Live") and "Rebolusyon" ("Revolution").

Corey Road

Dragoslav Bokan

Chair of GVHA

f/fowlede01

Signed as exits 4A and 4B on collector–distributor lanes; exit 68 on US 24

Serbian

Brahmeshwar Singh (1947– 1 June 2012) also known as Mukhiyaji or Brahmeshwar Thakur, was head of the upper-caste Ranvir Sena militia in Bihar, India. He was also known as the king of bhumihar for alleged involvement of killing of nexlites in Bihar. On 1 June 2012, he was killed by unidentified gunmen.

Kathleen Gilmore, James Corbin, George Avery

Springfield Township
Southbound exit and northbound entrance; southern end of US 23 concurrency; southern terminus signed as exits 1A and 1B ; I-75 exit 192

Vote share

Pan

Barbuda Codrington Airport

Shoal Point

A Harbour Air plane taxiing into Victoria Harbour in front of the Delta Victoria

CBZ7

in Perrysburg

An Chathair

at Ogden Point

ProMedica Parkway replaced the Central Avenue exit in 2012

Parliamentary seats

ProMedica Parkway

Sources: GCM, STV

Philippines

Victoria Harbour Heliport

DA251E

Douglas Road

Codrington, Barbuda, Antigua and Barbuda

Portuguese Constituent Assembly election, 1975

Film director and writer

Stolen bases

Location in Barbuda
Antigua and Barbuda

Dexter Fowler

(Victoria Harbour Water Airport)

concur

At-grade

Željka Zdjelar

FFA500

Portuguese legislative election, 1973

Free agent