* Anne Howe
* Britt Ekland
* Miranda Quarry
* Lynne Frederick

Boulez, Pierre. 1957. Le Marteau sans maître, score. London: Universal Edition.

"I feel extremely vulnerable, and I need help a lot. A lot. I suppose I feel mainly I need the help of a woman. I'm continually searching for this woman. They mother you, they're great in bed, they're like a sister, they're there when you want to see them, they're not there when you don't. I don't know where they are. Maybe they're around somewhere. I'll find one, one of these days."

World War, 1914–1918—Campaigns—Western Front

Southsea, Portsmouth, England, United Kingdom

Murray at the premiere of Pirates of the Caribbean: At World's End in Disneyland, 2007

Boulez, Pierre. 2005. Le Marteau sans maître. Facsimile of the draft score and the first fair copy of the score, with an introduction in French and English. Veröffentlichungen der Paul Sacher Stiftung. Edited by Pascal Decroupet. Mainz: Schott. ISBN 3-7957-0453-7.

Mimmy White, George White, Mary White, Anthony, Margaret

A Belgian machinegunner on the front lines in 1918
German infantry 1914 HD-SN-99-02296.JPEG

Aguila, Jésus. 2001. "Boulez: Vingt regards sur une page du Marteau sans maître". Analyse Musicale, no. 41 77–94. ISSN: 0295-3722.

Belgium, northeastern France, Alsace-Lorraine and western Germany

Decarsin, François. 1998. "L’organisation du temps en musique sur l’axe passé/futur". In Les universaux en musique: Actes du quatrième congrès international sur la signification musicale, edited by Costin Miereanu, Xavier Hascher, and Michel Guiomar, 589–97. Serie Esthétique. Paris: Publications de la Sorbonne. ISBN 2-85944-355-X.
Hirsbrunner, Theo. 1974. "Die surrealistische Komponente in Pierre Boulez' Le Marteau sans maître". Neue Zeitschrift für Musik 124, no. 7:420–25.

Populated places in the Dar es Salaam Region

Belgian machinegunner in 1918 guarding trench.jpg

Roberts, Gwyneth Margaret. 1968. "Rhythm as a Structural Element in Boulez' Le marteau sans maître". M.M. thesis. Bloomington: Indiana University.
Heinemann, Stephen. 1993. "Pitch-Class Set Multiplication in Boulez's Le Marteau sans maître. D.M.A. diss., University of Washington.

—Sellers describing how he prepared for his wide range of roles in an October 1962 interview for Playboy.
"I'll play Clouseau with great dignity, because he thinks of himself as one of the world's best detectives. Even when he comes a cropper, he must pick himself up with that notion intact. The original script makes him out to be a complete idiot. I think a forgivable vanity would humanize him and make him kind of touching. It's as if filmgoers are kept one fall ahead of him."

Gligo, Nikša. 2009. "Skladba kao kritika skladbe: Le marteau sans maître vs. Pierrot lunaire—O nekim specifičnim funkcijama skladateljske teorije u glazbi 20. stoljeća". In Glazba prijelaza: Svečani zbornik za Evu Sedak/Music of Transition: Essays in Honour of Eva Sedak, edited by Nikša Gligo, Dalibor Davidović, and Nada Bezić, 110–18. Zagreb: ArTresor and Hrvatska Radiotelevizija. ISBN 978-953-6522-67-5; ISBN 978-953-6173-38-9.
Decroupet, Pascal, and Jean-Louis Leleu. 2006. "'Penser sensiblement' la musique: Production et description du matériau harmonique dans le troisième mouvement du Marteau sans maître". In Pierre Boulez: Techniques d'écriture et enjeux esthétiques, edited by Pascal Decroupet and Jean-Louis Leleu, 177–215. Geneva: Contrechamps. ISBN 978-2-940068-23-4.

During an ice skating race against a classmate, Satoru holds back from winning to avoid inadvertedly trying to change the future, angering the classmate and disappointing Kayo. After learning that Kayo's birthday is the same day as his, giving him an idea of the date of her disappearance, Satoru spends some time with Jun, still convinced that he is not the kidnapper. Afterwards, Satoru finds Kayo beaten up in her home's shed, learning of the full nature of her abusive relationship with her mother. The next day, Satoru speaks with his teacher, Gaku Yashiro, who explains how he has suspected Kayo's mother of abuse for almost a year but hasn't been able to find proof to convict her. Later, Satoru stands up for Kayo when she is accused to stealing lunch money, before taking her up a mountain to show her a frostladen "Christmas" tree.

Koblyakov, Lev. 1981. "The World of Harmony of Pierre Boulez: Analysis of Le Marteau sans maître. Ph.D. diss., Hebrew University of Jerusalem.

Map showing the locations of airports around Stockholm

Moltke → Falkenhayn → Hindenburg and Ludendorff → Hindenburg and Groener

Bacht, Nikolaus. 2001. "'L'artisanat furieux' und sein Modell: Vergleichende Analyse von Arnold Schönbergs 'Der kranke Mond' aus Pierrot lunaire und Pierre Boulez' 'L'artisanat furieux' aus Le marteau sans maître". Die Musikforschung 54, no. 2:153–64.
Andersen, Mogens. 2001. "På sporet af hammerens herre: Om 'studiekredsen' og Le Marteau sans maître". In Fluktuationer: Festskrift til Ib Nørholm på 70-års dagen 24. januar 2001, edited by Eva Hvidt, Mogens Andersen, and Per Erland Rasmussen, 15–29. Frederiksberg: MAmusik. ISBN 978-87-987722-2-4.

* Nick Antosca
* Sarah Cornwell
* Ben Ketai

Map showing the extent of the Khoshut Khanate, 1642-1717, after Unification of Tibet under Güshi Khan

Clockwise from top left: German trench occupied British soldier, 1916; Canadian Scottish advancing near Inchy, September 1918; The aftermath of shelling during the Battle of the Somme, 1916; French soldiers on manoeuvres, 1914; Mark V tanks cross the Hindenburg Line, 1917.

The town of Cassino from the upper part of the town.

"I start with the voice. I find out how the character sounds. It's through the way he speaks that I find out the rest about him. ... After the voice comes the looks of the man. I do a lot of drawings of the character I play. Then I get together with the makeup man and we sort of transfer my drawings onto my face. An involved process. After that I establish how the character walks. Very important, the walk. And then, suddenly, something strange happens. The person takes over. The man you play begins to exist."

Jameux, Dominique. 1989a. "Boulez: Le Marteau sans maître", in booklet to Pierre Boulez, Le Marteau sans maître; Notations pour piano; Structures pour deux pianos, livre 2. CBS Masterworks CD MK 42619.

author, lecturer, consultant, entrepreneur, and business man

Saathen, Friederich. 1957. "Le Marteau sans Maître". Schweizerische Musikzeitung 97 : 290.

No unified command until 1918, then Ferdinand Foch

Royal Society of Chemistry's Corday-Morgan Medal

Souvtchinsky, Pierre. 1971. 2004. "Quatre paragraphes: Pierre Boulez et René Char". In Cahier de l'Herne René Char, edited by Dominique Fourcade. Paris: Herne. Reprinted in Pierre Souvtchinsky, Un siècle de musique russe : Glinka, Moussorgsky, Tchaïkowsky et Autres écrits: Strawinsky, Berg, Messiaen et Boulez, edited by Frank Langlois, preface by Pierre Boulez, 265–76. Arles: Actes Sud, 2004. ISBN 2-7427-4593-9.
Goldberg, Albert. 1957. "The Sounding Board: The Battle of Boulez: The Defense Rallies Its Forces and Launches a Strong Counterattack". Los Angeles Times : E5.

Aerial view of the Old Town, Skeppsbron, Stockholm City Hall, Hötorget buildings, Ericsson Globe and Stockholm Palace.

Souvtchinsky, Pierre. 1955. "Le mot-fantôme: Le marteau sans maître de Pierre Boulez et de René Char". La Nouvelle Revue Français 3, no. 32:1107–09.

Eken, the Venice of the North, the Venice of Scandinavia, Mälardrottningen

usually present, sometimes on one side only

already considered a saint before the mid-5th century in Constantinople

Haas, Georg Friedrich. 1990. "Disziplin oder Indisziplin. Anmerkungen zu der von Ulrich Mosch veröffentlichten Reihentabelle von Pierre Boulez", Musiktheorie 5, no. 3:271–74.
Winick, Steven D. 1986. "Symmetry and Pitch-Duration Associations in Boulez' Le Marteau sans maître" Perspectives of New Music 24, no. 2 : 280–321.
Boulez, Pierre. 1991. Stocktakings from an Apprenticeship. Translation by Stephen Walsh. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-311210-8.

East: Great Hierarch and Ecumenical Teacher

Koblyakov, Lev. 1990. Pierre Boulez: A World of Harmony. Chur: Harwood Academic Publishers. ISBN 3-7186-0422-1.

* French Colonial Empire
British Empire
* Canada
* Australia
*
*
* New Zealand
*
*

Wentzel, Wayne C. 1991. "Dynamic and Attack Associations in Boulez's Le Marteau sans maître". Perspectives of New Music 29, no. 1 : 142–70.

Map of the final German offensives, 1918

สโมสรฟุตบอลเพื่อนตำรวจ

Piencikowski, Robert T. 2000. "Pierre Boulez's Le Marteau sans maître". In Music History from Primary Sources: A Guide to the Moldenhauer Archives, edited by John Newsom and Alfred Mann, 134–41. Washington: Library of Congress.
Piencikowski, Robert T. 1980. "René Char et Pierre Boulez: Esquisse analytique du Marteau sans maître". In Schweizer Beiträge zur Musikwissenchaft 4, edited by Jürg Stenzl, 193–264. Bern and Stuttgart: Haupt.

The asymmetric epoxidation of allylic phosphine oxides: a stereocontrolled synthesis of allylic systems

Scientific, medical , aircraft and industrial instruments

Blue plaque memorial at Sellers birthplace in Castle Road, Portsmouth

Boulez, Pierre. 1971. Boulez on Music Today. Translated by Susan Bradshaw and Richard Rodney Bennett. Cambridge, Mass.: Harvard University Press. ISBN 0-674-08006-8.
Steinegger, Catherine. 2012. Pierre Boulez et le théâtre: de la Compagnie Renaud-Barrault à Patrice Chéreau. Wavre: Editions Mardaga. ISBN 9782804700904 .

* Super Bowl Champion
* 2× NFC Champion

Siegele, Ulrich. 1979. Zwei Kommentare zum «Marteau sans maître» von Pierre Boulez. Tübinger Beiträge zur Musikwissenschaft 7. Neuhausen-Stuttgart: Hänssler-Verlag.
Piencikowski, Robert T. 2003. "Au fil des esquisses du Marteau". Mitteilungen der Paul Sacher Stiftung no. 16:12–17.
Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice." Music Theory Spectrum 20, no. 1 : 72–96.

* Gramercy Pictures
* Icon Film Distribution

Hughes, Alex. 1998. Encyclopedia of Contemporary French Culture. London: Routledge. ISBN 978-0415131865.
Fink, Wolfgang G. 1997. "'Schönes Gebäude und die Vorahnung': Zur Morphologie des 5. Satzes von Pierre Boulez' Le marteau sans maître". In Pierre Boulez II, Muzik-Konzepte 96, edited by Heinz-Klaus Metzger and Rainer Riehn, 3–61. Munich: Edition Text und Kritik.
Boesche, Thomas. 1990. "Einige Beobachtungen zu Technik und Ästhetik des Komponierens in Pierre Boulez' Marteau sans Maître", Musiktheorie 5, no. 3:253–70.

exterior of red bricked house, with blue plaque on front wall

Allied Powers:
*United Kingdom: 336
*Canada: 65
*South Africa: 1
Central Powers:
*Germany: 1

福岡由仁郎 [Fukuoka, Yujiro]. 2005.『ピエール・ブーレーズ論：セリー主義の美学』[Pierre Boulez: Aesthetics of Serialism]. Ph.D. diss. Tokyo: Tokyo University of Foreign Studies.
Grondines, Pierre. 2000. "Le Marteau sans maître: Serialism Becomes Respectable". La Scena Musicale 6, no. 4 .

As Satoru becomes bewildered with the situation he's been put in, he finds comfort in being able to see his mother again. Realising being sent to this period by Revival is connected to Sachiko's future murder, Satoru takes notice of Kayo Hinazuki, one of his classmates who was killed during the kidnapping incident, noticing a bruise on her leg. Upon the suggestion of his friend Kenya, Satoru reads an essay written by Kayo, which further hints at her troubled life at home. Wanting to understand Kayo more, Satoru decides to invite her to his birthday party, hoping to change the future so that she won't be killed.

Constantinople, education, epilepsy, lecturers, orators, preachers

Lerdahl, Fred. 1992. "Cognitive Constraints on Compositional Systems." Contemporary Music Review 6:97-121.

Holy Rood Junior School Watford, St Joan of Arc Convent, Rickmansworth Hertfordshire

Koblyakov, Lev. 1977. "P. Boulez Le Marteau sans maître: Analysis of Pitch Structure". Zeitschrift für Musiktheorie 8, no. 1:24-39.

Vested as a Bishop, holding a Gospel Book or scroll, right hand raised in blessing. He is depicted as emaciated from fasting, a high forehead, balding with dark hair and small beard. Symbols: beehive, a white dove, a pan, chalice on a bible, pen and inkhorn

Grout, Donald, and Claude Palisca. 2001. A History of Western Music, 6th edition. New York: W. W. Norton & Company, p. 726. ISBN 0-393-97527-4.

Bundesarchiv Bild 183-P1013-316, Westfront, deutscher Panzer in Roye.jpg

* David S. Goyer
* David Linde
* Tory Metzger

Mark I, Mark II, III/Ital TA, BM59 Para, Mark IV

Mosch, Ulrich. 2004. Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' 'Le Marteau sans maître'. Saarbrücken: Pfau-Verlag. ISBN 3-89727-253-9.
Boulez, Pierre. 1986. Orientations: Collected Writings. Edited by Jean-Jacques Nattiez; translated by Martin Cooper. London & Boston: Faber and Faber. ISBN 0-571-14347-4. ISBN 0-571-13811-X . ISBN 0-571-13835-7 .

Entente victory, collapse of the German Empire, Treaty of Versailles

Whittall, Arnold. 2008. The Cambridge Introduction to Serialism. Cambridge Introductions to Music. New York: Cambridge University Press. ISBN 978-0-521-68200-8 .
Tsaregradskaya, Tatyana. 1997. "Pierre Boulez's Le Marteau sans Maitre: The Composition as a Process and a Result". In A Composition as a Problem, edited by Mart Humal, 45–49. Tallinn: Eesti Muusikaakadeemia. ISBN 9985-60-280-3.
Mosch, Ulrich. 1997. "Wahrnehmungsweisen serieller Musik." Musiktheorie 12:61–70.

'Greater Tibet' as claimed by exiled groups

Hoffman, Michael. 1997. "Pierre Boulez's Le marteau sans maître: An Overview Analysis". 20th-Century Music 4, no. 10 : 4–11.
Jameux, Dominique. 1989b. "The Fate of the Work", in booklet to Pierre Boulez, Le Marteau sans maître; Notations pour piano; Structures pour deux pianos, livre 2. CBS Masterworks CD MK 42619.

mothers with children, naked women, young girls

Historical Seismicity, Calculation of seismic displacements of dams

Royal Society of Chemistry's Stereochemistry Prize

Jameux, Dominique. 1991. Pierre Boulez. Cambridge, Mass: Harvard University Press. ISBN 0-674-66740-9. London: Faber. ISBN 0-571-13744-X.
Roxburgh, Edwin. 2014. Conducting for a New Era. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781843838029 .
Mosch, Ulrich. 1990. "Disziplin oder Indisziplin? Zum seriellen Komponieren im 2. Satz des Marteau sans maître". Musiktheorie 5, no. 1:39–66.

"'He causes pain to everyone who gets close to him ... Even when you're the victim of his outrageous behaviour, his selfishness, or one of his tantrums, you always found yourself smiling about it afterwards, even if you had to do it through gritted tears".

Knighthood of the Order of Merit of the Italian Republic for artistic merit by the President of the Italian Republic

Beretta, Bandung Weapons Factory, Defence Industries Corporation

* New Orleans Saints *
* Seattle Seahawks

Caira, Montecassino, San Cesareo, San Michele, San Pasquale, Sant'Angelo in Theodice, Sant'Antonino, San Bartolomeo