Map of the village development committees in Nawalparasi District

To start off this year's Nostalgiaween, the Critic reviews Event Horizon , wondering why the film has a cult following. He criticizes the film for the CGI, the plot, the characters not knowing basic space science despite them being astronauts, and elements of the movie ripping off Alien and Doom. Special criticism is reserved for the fact that the film is portrayed more as a non-scary comedy film than an actual horror film like it's supposed to be. In the end of the review, the Critic talks about the gore scenes that were removed and censored before the film came out and felt that those scenes could have made the horror aspects of the film better.

Channel Awesome Tag: Jason Isaacs as D.J.: "Peters!"

Eddie Redmayne as Balem Abrasax: "GO!!!"

Directors: Jack Kinney, Clyde Geronimi and James Algar
Story: Brian Pimental , Stephen J. Anderson, Mark Kennedy, Carole Holliday, Gaëtan Brizzi, Paul Brizzi, Don Dougherty, Ed Gombert, Randy Haycock, Don Hall, Kevin Harkey, Glen Keane, Burny Mattinson, Frank Nissen, John Norton, Jeff Snow, Michael Surrey, Chris Ure, Mark Walton, Stevie Wermers, Kelly Wightman and John Ramirez

Up to 6 Territorial and Volunteer battalions

Christopher Harrison, Beth Elderkin, Joanna Kay, Taylor Chambers, Barney Walker

Producers: Ron Clements, John Musker and Roy Conli

*List of jet airliners
*List of civil aircraft

The Critic reviews Teenage Mutant Ninja Turtles alongside his former arch-nemesis, The Angry Video Game Nerd, after learning of a supposed threat to the franchise from Santa Christ. While they both agree that it's not the worst thing related to the franchise, or even the worst live-action Turtles film , they criticize Michael Bay's involvement, the writing, characters, and overuse of CGI . However, they admit that the acting, while not great, is overall tolerable , are surprised by the lack of the usual Bay trademarks , and acknowledge that it has some enjoyable scenes. Special criticism is reserved for the villain's motivation being becoming richer than he already is.

During the review, they embark on several quests reminiscent of other Ninja Turtles incarnations: saving April O'Neil from Krang in the original cartoon, saving a dam reminiscent of the NES game, fighting Shredder in a nightclub, being offered an adventure in ancient Japan - which they quickly refuse - and ultimately forming a band, before learning that this was all a ploy by Santa Christ to sell toys, as that was what the franchise started out as . This makes them realize that, far from being insulting to the franchise, the film is just another one of many versions, each of which bring something new to the game, though they try to insist that it's still not good.

Channel Awesome Tag: William Fichtner as Eric Sacks: "Like stupid rich."

Directors: Mike Gabriel and Eric Goldberg
Based on: The Adventures of Pinocchio by Carlo Collodi
Story/Screenplay: Winston Hibler, Ted Sears, Bill Peet, Erdman Penner, Joe Rinaldi, Milt Banta, William Cottrell, Dick Kelsey, Joe Grant, Dick Huemer, Del Connell, Tom Oreb and John Walbridge
Directors: Hendel Butoy and Mike Gabriel
Screenplay: Jon A. Bernstein, Michelle Spritz and Nathan Greno
Story/Screenplay: William Peed, Erdman Penner, Ted Sears, Winston Hibler, Homer Brightman, Harry Reeves, Ken Anderson and Joe Rinaldi
Based on: "Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by Brothers Grimm

The Critic does his annual nostalgic commercials review.

Commercials reviewed: ShowBiz Pizza Place promoting Dragon's Lair, Tiger Talkboy, Zest, SpaghettiOs, Bedtime Barbie, McDonalds "For Foods, Folks and Fun", Jared Fogle's Subway Ad , Bill Cosby's Pudding Pops , Ayds, Segata Sanshiro Sega Saturn campaign, A Troll in Central Park trailer, Mighty Morphin Power Rangers toys, Superman Peanut Butter, Frosted Mini-Wheats, Pokémon Red and Blue, Super Nintendo Super Scope, Workplace Safety & Insurance Board Sous chef accident PSA, Slim Jim featuring Randy Savage, Telephone Tammy

Special criticism is reserved for the Canadian PSA of when the sous chef gets into a horrible accident, which the critic finds it absolutely horrifying compared to the other Canadian PSAs which the Critic made a rant on Canada and calling the nation "sick" for its bad PSAs.

After a commercial for A Troll in Central Park passes, with him criticizing it some more, the Critic is constantly haunted by Don Bluth himself, who says that he's waiting. At the end of the video, the Critic has had enough of Bluth's sudden appearances and begs him what to do to make him stop. The video cuts to black with a To Be Continued, suggesting that the thing will be revealed next week.

Channel Awesome Tag: Bedtime Barbie Announcer: "Bedtime Barbie doll has a soft body!"

Screenplay: Ron Clements, John Musker and Rob Edwards

Airbus A340-300 cutaway from Flightglobal.com

song was written by Morrison & Krieger and recorded August 1966

Inspired by: The Frog Princess by E. D. Baker

Portrait of Karl Pearson, by Elliott & Fry, 1890.

Directors: Ben Sharpsteen , Norman Ferguson, Wilfred Jackson, William "Bill" Roberts, Jack Kinney and Samuel Armstrong

Location within Wyandotte County and Kansas

Based on: Basil of Baker Street by Eve Titus
Written by: Perce Pearce, Larry Morey, Vernon Stallings, Melvin Shaw, Carl Fallberg, Chuck Couch and Ralph Wright
Directors: Stephen J. Anderson and Don Hall
Producers: Alice Dewey, Ron Clements and John Musker

From top to bottom: city centre, old town, Gamlehaugen, city square and Bryggen

Story/Screenplay: Larry Clemmons, Ken Anderson, Frank Thomas, Vance Gerry, David Michener, Ted Berman, Fred Lucky, Burny Mattinson and Dick Sebast
Written by: Ted Sears, Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd, Merrill De Maris, Dorothy Ann Blank and Webb Smith

CWF Mid-Atlantic Heavyweight Championship

Story: Kirk Wise, Gary Trousdale, Joss Whedon, Bryce Zabel, Jackie Zabel and Tab Murphy
Screenplay: Jim Cox, Timothy J. Disney and James Mangold
Story: Will Finn , Tab Murphy, Kevin Harkey, Gaftan Brizzi, Paul Brizzi, Edward Gombert, Brenda Chapman, Jeff Snow, Jim Capobianco, Denis Rich, Burny Mattinson, John Sanford, Kelly Wightman, James Funi, Geefwee Boedoe, Floyd Norman, Francis Glebas, Kirk Hanson, Christine Blum and Sue C. Nichols
Story/Screenplay: Winston Hibler, Erdman Penner, Harry Reeves, Homer Brightman, Ken Anderson, Ted Sears, Joe Rinaldi, William Cottrell, Art Scott, Jesse Marsh, Bob Moore and John Walbridge

The Critic reviews Jupiter Ascending . He considers it to be a film that fails in every attempt at delivering an epic. He criticizes the acting, the confusing storyline filled with ridiculous setpieces, the acting of the villain played by Eddie Redmayne , the large amount of long scenes of dialogue, and the number of films and scenes the movie rips off from. Special criticism is reserved for the character of Jupiter Jones, for her ridiculous name , and propension to being a damsel in distress who gets kidnapped a lot.

Channel Awesome Tag: Mila Kunis as Jupiter Jones: "I love dogs, I've always loved dogs."

http://sharki.oslo.dnmi.no/pls/portal/BATCH_ORDER.PORTLET_UTIL.Download_BLob?p_BatchId=666089&p_IntervalId=1351224(eklima.no) , NOAA

Story/Screenplay: Tab Murphy, Lorne Cameron, David Hoselton, Steve Bencich and Ron J. Friedman
Directors/Story/Screenplay: See full credits

Bergen, 1961–1990, average temperatures 2005-2014

Beth Elderkin, Jim Jarosz, Jason Laws, Rob Walker, Dayna Sterkowitz, Lewis Lovhaug, Barney Walker
Doug Walker, Malcolm Ray, Rob Walker, Jim Jarsoz

The Critic reviews The Animatrix . He considers it a fairly solid anthology, with some strong ideas and excellent animation, feeling that they redeem even the weakest stories.

Note: The episode is closer to the editorial episodes in style, without co-stars and sketches.

Directors: Nathan Greno and Byron Howard

The Critic reviews Pixels . Like the Jurassic World review, the review for Pixels has scenes acted out by Malcom, Tamara, Doug, and other cast members since the film is still in theaters. The Critic criticizes the film for its dialogue , emotions of the characters, and the cast themselves . He also takes time to address the controversy surrounding the story for ripping off a Futurama episode, but addresses that other films have done it before and that it only matters what they do with the story. However, he offers mild praise to the visual effects and for a few jokes that were actually funny. Special criticism is reserved for the second half of the movie, especially the bits with the final battle and the romance between Josh Gad's character and a video game character. In the end, the Critic says that while the film is bad, it's not the worst Sandler film of all time, and he agrees with audiences that there have been so many bad Sandler films recently that enough is enough, and he wants Sandler to go back to his roots.

Channel Awesome Tag: Doug Walker as Kevin James: "Yay! Your president, Paul Blart, is gonna shoot up aliens!"

Story/Screenplay: Larry Clemmons, Ralph Wright, Ken Anderson and Vance Gerry
Theatrical short: Mickey's Christmas Carol
Based on: Winnie-the-Pooh and The House at Pooh Corner by A. A. Milne
Based on: Notre Dame de Paris by Victor Hugo

The Critic is forced by Don Bluth to play Dragon's Lair , the video game Bluth himself created. The Critic praises both Dragon's Lair games for the art behind the animated cutscenes, but criticizes the intense difficulties in both games such as going back to a certain obstacle and expecting the same result when in reality, the game becomes harder due to the fact a different result could occur even with the correct solution. Special criticism is reserved for the rule in which a player in Dragon's Lair II must collect every treasure and the gameplay during the ending cutscene. During his playthrough of both games, Don Bluth mocks how the Critic is playing by doing a Top 11 Nostalgia Critic Deaths in Dragon's Lair.

Directors: Hamilton Luske, Clyde Geronimi and Wilfred Jackson
Story/Screenplay: Larry Clemmons, Ralph Wright, Vance Gerry, Xavier Atencio, Ken Anderson, Julius Svendsen, Ted Berman, Eric Cleworth and Winston Hibler
Based on: The Sorcerer's Apprentice segment based on "The Sorcerer's Apprentice" by Johann Wolfgang von Goethe
Theatrical short: The Prince and the Pauper
Based on: The Fox and the Hound by Daniel P. Mannix
Based on: Treasure Island by Robert Louis Stevenson and Treasure Island in Outer Space by Renato Castellani

According to Joslen, was assigned to 45th Infantry Division in the UK at this time.

Directors: William "Bill" Roberts, Jack Kinney, Hamilton Luske and Wilfred Jackson
Story/Screenplay: Chris Sanders and Dean DeBlois
Producers: Wolfgang Reitherman and Winston Hibler

Jon Bailey, Greg Michaud, Chris Stuckmann, Jack Shen, Joe Vargas
Brent Black and various Channel Awesome contributors

Directors: Aaron Blaise and Robert Walker
Based on: The Legend of Johnny Appleseed segment based on the life of John Chapman ; Little Toot segment based on Little Toot by Hardie Gramatky; Trees segment based on Trees by Alfred Joyce Kilmer with the music master Oscar Rasbach; Pecos Bill segment based on "Pecos Bill" by folklore consultant Carl Carmer

Rob Walker, Jim Jarosz, Jason Laws, Trevor Mueller, Beth Elderkin, Joanna Kay, Rob Scallon

Story/Screenplay: Erdman Penner, Winston Hibler, Joe Rinaldi, Ted Sears, Homer Brightman and Harry Reeves
Directors: David Hand , James Algar, William "Bill" Roberts, Norman Wright, Samuel Armstrong, Paul Satterfield and Graham Heid

Approximate boundaries of the traditional Scots language areas in Ulster, shaded in turquoise. Based on The Scotch-Irish Dialect Boundaries in Ulster by R. J. Gregg.

The Critic reviews Mamma Mia! , to the irritation of Rob, Malcolm, and Tamara, who refuse to take part in the review. After insisting that it's possible to make a good chick flick he considers it a prime example of how bad chick flicks can get, heavily panning the plethora of chick flick cliches, lack of story and character development, bad singing performances and large number of song and dance numbers that have little to nothing to do with the story, even going so far as to say that Moulin Rouge! is a superior film for actually tying in the songs to the story the film was telling. Special criticism is reserved for the film's insulting portrayal of and overall attitude towards women. The only major positives he notes are the cinematography and the scenes between Amanda Seyfried's character and her three possible fathers , though he adds that the latter actually illustrates the film's main problem, as they're used to pad out the gaps between musical numbers instead of the other way around. After the review, the Critic finds everyone outside and learns that they're so convinced that no one will ever watch the review that they convince him to say something awful to the fans, only for his words to result in all of them being brutally beaten.

Note: Doug Walker posted on his Facebook that his brother said that Mamma Mia! is one of the top 3 worst movies they've ever reviewed for the Nostalgia Critic, putting it close to The Garbage Pail Kids Movie.

Channel Awesome Tag: Amanda Seyfried as Sophie, Ashley Lilley as Ali, and Rachel McDowall as Lisa: "Dot, dot, dot!"

Based on: The Rescuers and Miss Bianca by Margery Sharp
Story: Thom Enriquez, John Harrison, Robert Nelson Jacobs and Ralph Zondag
Inspired by: Oliver Twist by Charles Dickens

Lawyer, Germanist, Eugenicist, mathematician and statistician

List of concepts named after Leonhard Euler

Producers: Howard Ashman and John Musker
Screenplay: John Harrison and Robert Nelson Jacobs, from a earlier version by Walon Green

CBS Radio, Westwood One, Oklahoma City Thunder

Inspired by: Hamlet by William Shakespeare
Written by: Homer Brightman, Ralph Wright, Roy Williams, Harold Reeves, Richard Huemer and Joe Grant

The Critic reviews the second installment of the franchise, The Matrix Reloaded . He admits to having liked it more than the first film when it came out due to it going all out with its content, but now feels that, while the first film at least had a central focus, this film is all over the place and the excessive scenes of dialogue and action get in the way of it making any sense, in addition to all the flaws in the original being present. Special praise is reserved for the fight with the multiple Agent Smiths and the freeway chase for still holding up, while special criticism is reserved for the scene with the Architect and the ending for being incoherent.

During the review, Agent Schmuck returns for revenge, and the Critic meets the supposed creator of the series, Black Willy Wonka , who hints that Malcolmus and Tamity , who's randomly fallen for the Critic like Neo and Trinity, might not be trustworthy. He also hints at the biggest problem of Revolutions by suggesting a far better ending than what is given.

Note: The film previously appeared at #3 on his "Top 11 Films I Like But Everyone Hates" list.

Channel Awesome Tag: Laurence Fishburne as Morpheus: “Machines!”

song was written by Morrison and recorded in August 1966

Based on: A Day with Wilbur Robinson by William Joyce
Based on: Peter Pan and Peter and Wendy by J. M. Barrie
Directors: Clyde Geronimi, Hamilton Luske and Wilfred Jackson
Story/Screenplay: Erdman Penner, Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright and Milt Banta
Based on: The Chronicles of Prydain by Lloyd Alexander

Most albums we go away somewhere remote and record. It didn't work out as well for us this time because we liked that before as we were always touring, and we needed somewhere quiet to go. But this time, we had a bit of time to chill out before that, so we didn't need it as much. It took us so long to get into the writing process this time because we had that massive tour, and we hadn't written for so long. It takes a while each time – a few months – to find that first song, and be like 'this is it', because we always start off by believing that this album is going to be completely different to the last, but we never know why, and we never have that vision, but it's always about finding that first song that's going to represent the album, and that took us a while.

Directors: Ralph Zondag and Eric Leighton

The Critic reviews The Legend of Zorro . He considers it a dreadful sequel to one of the best action movies of the past few decades, heavily panning the story, severely toned down content from the first movie, the actions of the characters , the fact that no one seems to learn anything by the end, and the comedy, drama and action. Special criticism is reserved for a scene where the main character's son gets into a sword fight with his teacher using rulers before fleeing out the window, and for the complete hopeless nature of Nick Chinlund's character, even going so far as calling him the most useless villain ever.

Channel Awesome Tag: Nick Chinlund as Jacob McGivens: "Listen to me, you backwards-ass frog."

Screenplay: Carl Binder, Susannah Grant and Philip LaZebnik
Directors: Wilfred Jackson, Hamilton Luske and Clyde Geronimi

The Critic discovers Andre the Black Nerd in a closet, who he accidently locked into and forgot about for several months after the Teenage Mutant Ninja Turtles review, and is forced to review Sony Pictures Animation's film adaptation of The Smurfs with him to avoid charges. They criticize the designs of The Smurfs and the fact that their names are based on their individual personalities , the comedy of Gargamel , the setting of the film being in New York City, the plot holes such as why Papa Smurf is afraid of onions, the visual storytelling by Raja Gosnell, the director of Home Alone 3, Scooby Doo and Beverly Hills Chihuahua, elements ripped off from other movies of varying quality , and the product placement scenes such as the one in which the characters play Guitar Hero: Aerosmith. Special criticism is reserved for the fact that the majority of the movie revolves around Neil Patrick Harris' character and his struggles as an advertiser and becoming a father instead of The Smurfs themselves.

Channel Awesome Tag: Jonathan Winters as Papa Smurf: "Onions! Augh!"

Story: Ron Clements, John Musker, Ted Elliott and Terry Rossio
Story/Screenplay: Ted Sears, Erdman Penner, Bill Peet, Winston Hibler, Joe Rinaldi, Milt Banta, Ralph Wright and William Cottrell

Playing the Most Hits from the '90s to NOW

Producers: Igor Khait and Chuck Williams

* Tampa Bay Buccaneers
* Minnesota Vikings
* New York Giants *
* Miami Dolphins *
* Brooklyn Bolts
* Indianapolis Colts

Doug Walker, Malcolm Ray, Tamara Chambers

Directors: Wolfgang Reitherman, John Lounsbery and Art Stevens
Based on: Bambi, A Life in the Woods by Felix Salten
Screenplay: Tab Murphy, Irene Mecchi, Bob Tzudiker, Noni White and Jonathan Roberts
Screenplay: Rita Hsiao, Chris Sanders, Philip LaZebnik, Raymond Singer and Eugenia Bostwick-Singer
Based on: "Aladdin and the Wonderful Lamp"
Based on: Peter and the Wolf segment based on "Peter and the Wolf" by Sergei Prokofiev
Home entertainment short: The Little Matchgirl
Story: Tom Sito , Glen Keane, Joe Grant, Ralph Zondag, Burny Mattinson, Ed Gombert, Kaan Kalyon, Francis Glebas, Rob Gibbs, Bruce Morris, Todd Kurosawa, Duncan Marjoribanks and Chris Buck

The Critic reviews the first installment of The Matrix to prove to its fan base, represented by Agent Schmuck , that it's not as good as they say. Though he acknowledges that it has some good ideas and action, he feels that some of the effects and fashion haven't aged well and criticizes the plot holes, acting, characters, obvious symbolism, pacing and derivative elements. Special criticism is reserved for the fact that, in reality, the machines wouldn't need the Matrix at all if they're just using humans for power. But he gives credit to the film for the impact it made for cinema.

During the review, he's saved from Agent Schmuck by Malcolmus and Tamity , members of a resistance who don't like the film, and joins them in the end.

Channel Awesome Tag: Keanu Reeves as Neo: “You mean ‘artificial intelligence’?”

Based on: Tarzan of the Apes by Edgar Rice Burroughs

The Critic reviews Mad Max: Fury Road and compares it with the other three films. In the beginning of the review, the Critic states that he feels that while he likes Fury Road, he believes that Mad Max: Beyond Thunderdome was the best film in the franchise for its writing, characters, and storytelling during the action while he states that Mad Max 2 was his least favorite since Mel Gibson was more of an observing character than the main character. Eventually, the Critic begins to like Fury Road even more when he realizes it's similar to the Roadrunner cartoons which contains various chase scenes yet has no dialogue attached to it.

During the review, the Critic is pursued by three groups. Impractical Joe who is upset that the Critic did not think Fury Road was the best film in the series, 'Meninists' who believed that women in Fury Road should not be given action roles and want Fury Road to be more manly, and Tom Hardy Fangirls who think Hardy is the best actor in Fury Road for being handsome.

Channel Awesome Tag: Rob Walker as Impractical Joe: "You will walk the red carpet sugared and glazed."

Screenplay: Dan Fogelman and Chris Williams
Story/Screenplay: Stephen J. Anderson, Don Hall, Clio Chiang, Don Dougherty, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Directors: Ron Clements, John Musker, David Michener and Burny Mattinson
Story: Brenda Chapman , Burny Mattinson, Barry Johnson, Lorna Cook, Thom Enriquez, Andy Gaskill, Gary Trousdale, Jim Capobianco, Kevin Harkey, Jorgen Klubien, Chris Sanders, Tom Sito, Larry Leker, Joe Ranft, Rick Maki, Ed Gombert, Francis Glebas, and Mark Kausler
Story/Screenplay: Larry Clemmons, Ken Anderson, Vance Gerry, Frank Thomas, Eric Cleworth, Julius Svendsen and Dave Michener

The Critic "reviews" Jurassic World , breaking his rule of not making episodes on films currently playing in theaters in protest to Universal Studios taking down the reviews on their movies from YouTube, including the other Jurassic Park films. Thus Jurassic World is recreated with improv sets, costumes and re-enactments, instead of scenes from the actual movie. He criticizes Vincent D'Onofrio's character, the romance subplot, and the typical stupidity of the human characters . Special criticism is aimed at the appearance of the dinosaurs themselves for looking like a mix of animatronics and CGI, the overall design and name of the Indominus rex, which he states its nothing more than an oversized raptor, and the decision to simply leave the other tourists trapped in a warehouse. However, he heavily praises the appearance of the titular park, the intensity of the pterosaur attack scene, and the final battle between the T. Rex, the Velociraptor and the Indominus , even declaring that all three factors more than make up for the film's flaws. He ultimately concludes that the film is the second-best of the Jurassic Park movies, but given his views of the other sequels, that such a distinction is not all that great, and that it is ultimately up to the individual moviegoers to decide whether or not the film is truly worth watching. He then considers reviewing Fifty Shades of Grey next, though Tamara strongly objects when she realizes that Critic and Malcolm want to have her re-enact scenes from that movie for the review.

Channel Awesome Tag: Malcolm Ray as Chris Pratt as Owen Grady: "I think it's part raptor!"

Written by: Joe Grant, Dick Huemer and Otto Englander
Written by: Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner and Aurelius Battaglia
Theatrical short: Scrooge McDuck and Money

;NFL
* NFC Player of the Week
* FedEx NFL Air Player of the Week
* Tampa Bay Buccaneers all-time leader in pass completions and passing touchdowns
;College
* [[#College awards and honors

Doug Walker, Malcolm Ray, Tamara Chambers,

Story/Screenplay: Ron Clements and John Musker
Directors: Jack Kinney, William "Bill" Roberts and Hamilton Luske
Story: Barry Johnson , Kaan Kalyon, Kelly Wightman, Randy Cartwright, John Ramirez, Jeff Snow, Vance Gerry, Kirk Hanson, Tamara Lusher, Francis Glebas, Mark Kennedy, Bruce Morris, Don Dougherty and Thom Enriquez
Screenplay: Jim Cox, Karey Kirkpatrick, Byron Simpson and Joe Ranft
Sequence Directors: Eric Larson, Wolfgang Reitherman and Les Clark
Screenplay: Phil Johnston and Jennifer Lee
Story/Screenplay: David Jonas, Al Wilson, Vance Gerry, Roy Morita, Ted Berman, Peter Young, Richard Rich, Art Stevens and Joe Hale
Based on: "Cinderella" by Charles Perrault
Directors: Wolfgang Reitherman and John Lounsbery
Co-Producers: Donald W. Ernst and Amy Pell
Story: Ron Clements, John Musker, Greg Erb and Jason Oremland

Best playing for Ireland during the 2015 World Cup

Sequence Directors: Clyde Geronimi, Jack Kinney and William "Bill" Roberts
Based on: Alice's Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll
Directors: Chris Williams and Byron Howard
Story/Screenplay: Larry Clemmons, Vance Gerry, Ken Anderson, Frank Thomas, Eric Cleworth, Julius Svendsen and Ralph Wright

Doug Walker, Malcolm Ray, Tamara Chambers, James Rolfe, Rob Walker

Screenplay: Ron Clements, John Musker, and Taika Waititi
Story/Screenplay: Homer Brightman, Dick Huemer, Dick Kinney, John Walbridge, Tom Oreb, Dick Shaw, Eric Gurney, Sylvia Holland, T. Hee, Erdman Penner, Dick Kelsey, James Bodrero, Roy Williams, Cap Palmer, Jesse Marsh and Erwin Graham
Based on: Adventures of Mr. Toad segment based on parts of The Wind in the Willows by Kenneth Grahame; Ichabod Crane segment based on "The Legend of Sleepy Hollow" by Washington Irving
Producers: Peter Del Vecho and Clark Spencer
Story/Screenplay: Will Finn and John Sanford

Rob Walker, Jim Jarosz, Amanda C. Miller

Story/Screenplay: Homer Brightman, Harry Reeves, Ted Sears, Lance Nolley, Eldon Dedini and Tom Oreb
Story: Rich Moore, Phil Johnston and Jim Reardon

The Critic reviews The Haunted Mansion . Considering the surprise success of Pirates of the Caribbean earlier that year and the multitude of possibilities left by the ride, he finds it to be a massive waste of potential that starts with the decision to give the lead role to Eddie Murphy, heavily criticizing his and the rest of the performances, particularly Jennifer Tilly and Terence Stamp , as well as the plot, characters, effects, comedy, and portrayal of elements from the ride . In the end, he hopes that Disney will one day attempt another film that's more loyal and all around better.

Channel Awesome Tag: Terence Stamp as Ramsley: "That is absurd."

Based on: "Snow White" by Brothers Grimm

Deluxe edition bonus disc – The Deathbeds EP

Story/Screenplay: Homer Brightman, Ernest Terrazas, Ted Sears, Bill Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell and James Bodrero
Directors: Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney

Doug Walker, Tamara Chambers, Malcolm Ray

Directors: Wolfgang Reitherman, Hamilton Luske and Clyde Geronimi
Story: Chris Sanders , Dean DeBlois , John Sanford, Chris Williams, Tim Hodge, Julius Aguimatang, Burny Mattinson, Lorna Cook, Barry Johnson, Thom Enriquez, Ed Gombert, Joe Grant and Floyd Norman

Yellow facings from 1904. Adopted from the uniform of the 37th Regiment of foot

Based on: The Steadfast Tin Soldier segment based on "The Steadfast Tin Soldier" by Hans Christian Andersen
Directors: Jack Kinney, Clyde Geronimi, Hamilton Luske, Robert Cormack and Joshua Meador

"For what it's worth, when Channel Awesome kept getting kicked off of YouTube, Blip was the site that allowed us to keep growing. We survived without youtube for several years because of them, and I am still grateful. It was a long run, Blip, thanks for the opportunity."

Directors: David Hand , Perce Pearce, William Cottrell, Larry Morey, Wilfred Jackson and Ben Sharpsteen

Left to right: Captain Sean Doe , Franco Fontana, Dino, and Chango

Doug Walker, Tamara Chambers, & Malcolm Ray

The Critic reviews the live-action/animated film Osmosis Jones , which has a very similar plot to Pixar's newest smash hit Inside Out, all the while watched over by manifestations of his emotions, like the latter and a Chris Rock-esque character like the former . Although he praises the setting of Frank's body, some good ideas, the design of the main characters, and especially the film's gorgeous animation, the Critic criticizes the immature comedy of the film such as toilet humor, overused cop cliches, puns that Osmosis Jones makes, content too violent and scary for kids, live action scenes and the story of the film itself. Special criticism is reserved for the apathetic and emotionless performance of Bill Murray as Frank.

Channel Awesome Tag: Bill Murray as Frank Detorre: "Shane!"
NOTE: The day before this episode aired, it was announced that Blip, one of the main hosting platforms for Channel Awesome, would be shut down a month later. Due to this announcement, this was the first episode of the series not to be uploaded on Blip.

Screenplay: Ron Clements, John Musker, Ted Elliott and Terry Rossio
Story: Ed Gombert , Burny Mattinson, Roger Allers, Daan Jippes, Kevin Harkey, Sue C. Nichols, Francis Glebas, Darrell Rooney, Larry Leker, James Fujii, Kirk Hanson, Kevin Lima, Rebecca Rees, David S. Smith, Chris Sanders, Brian Pimental and Patrick A. Ventura
Story/Screenplay: Larry Clemmons, Ted Berman, David Michener, Peter Young, Burny Mattinson, Steve Hulett, Earl Kress and Vance Gerry
Screenplay: Irene Mecchi, Jonathan Roberts, and Linda Woolverton
Based on: The Hundred and One Dalmatians by Dodie Smith

In his annual Stephen King film review, the Critic reviews Children of the Corn . While he praises Isaac as being a entertaining villain and the performances of the child actors, the Critic criticizes the two main characters' anti-religious stance, the members of the cult being weak such as being defeated when the main character just shoves them, and corn being the scare factor of the movie. Special criticism is for the anti-climatic ending in which the monster of the corn field was depicted as an explosion cloud with a face and the movie abruptly ending with a cult member girl being defeated by getting shoved in a car.

Channel Awesome Tag: Courtney Gains as Malachai: "Outlander!"

The official and approved city flag of Bergen, Norway.png

Directors: Art Stevens, Ted Berman and Richard Rich

The Critic reviews Christmas with the Kranks and considers it one of the worst Christmas films out there. He criticizes the film for the obnoxious acting, the humor, the weirdly timed music with certain scenes, the mob mentality of the neighbors, and the plot twists at the end of the film. Special criticism is reserved for the neighbors ganging up on the Kranks because of the Kranks' refusal to hang up a Frosty decoration.

Throughout the review, the Critic goes back in time to 2007 where he revisits his original format of no budget, no background actors like Malcolm and Tamara, and forced memes. However, when the Critic returns to 2015, he sees his past self appalled at the clipless reviews, new formats and tries to use the original format from pre-2013 Nostaglia Critc for a review of The Last Airbender, but the finished video is met with intense backlash, prompting the Critic to exposit on the nature of change being a natural part of growth and evolution - something he felt the film was trying to repress.

Channel Awesome Tag: M. Emmet Walsh as Walt Scheel: "What a jerk!"

The Critic reviews The Adventures of Sharkboy and Lavagirl in 3-D . Though he considers it touching that director Robert Rodriguez made this in dedication to one of his son's ideas, he finds it a serious error in judgment for such a great director, criticizing the plot, acting, 3D and visual effects, pointless moments, and insulting message. However, he acknowledges that it has some good ideas and finds the performances of George Lopez and Jacob Davich as the villains hilariously bad. Special criticism is reserved for an effect during the final battle where the villain's head is engorged to a massive size, which scares the Critic so bad that he calls himself twenty minutes in the past to warn him and demand the D, which he quickly gets.

Channel Awesome Tag: Jacob Davich as Linus: "Send him to the principal's office and have him expelled!"

Based on: "Happy Dan, the Whistling Dog" by Ward Greene

Under Code Production, Universal Music Japan/Free-Will/Back Coat, Sony Music Japan/Free-Will/Firewall Div.

Based on: "The Little Mermaid" by Hans Christian Andersen

Jon Bailey, Noah Antwiler, Barney Walker, Victoria L. Tobin

Based on: The Sword in the Stone by T. H. White
Screenplay: Steve Bencich, Ron J. Friedman and Ron Anderson

The Critic reviews Fantastic Four . He criticizes the plot, clichéd characters , effects, actions of the characters , action, and lack of any actual crime-fighting. Special criticism is reserved for the fact that the main characters don't seem to do much in the film that benefits anyone but themselves, as well as Jessica Alba being overly sexualized. Sketches have the Critic, Tamara and Malcolm parodying the film by getting less-than-spectacular powers and not using them, instead just sitting on a couch and watching movies.

Channel Awesome Tag: Thing Doll: "It's clobberin' time."

Doug Walker, Malcolm Ray, & Tamara Chambers

Directors: Chris Sanders and Dean DeBlois
Screenplay: Tab Murphy, Bob Tzudiker and Noni White
Based on: Bongo segment based on Little Bear Bongo by Sinclair Lewis; Mickey and the Beanstalk segment based on Jack and the Beanstalk
Story: Chris Buck, Jennifer Lee and Shane Morris

The Angelic Studio in Banbury, Oxfordshire

Story: Roger Allers , Brenda Chapman, Chris Sanders, Burny Mattinson, Kevin Harkey, Brian Pimental, Bruce Woodside, Joe Ranft, Tom Ellery, Kelly Asbury and Robert Lence
Inspired by: "The Snow Queen" by Hans Christian Andersen
Theatrical shorts: Working for Peanuts and Boat Builders
Story/Screenplay: Peter Young, Vance Gerry, Steve Hulett, Ron Clements, John Musker, Bruce M. Morris, Matthew O'Callaghan, Burny Mattinson, David Michener and Melvin Shaw

Freeman with the Buccaneers in November 2012

The cross-border Boord o Ulstèr-Scotch, established as a result of the Good Friday Agreement, promotes usage.

Producers: Wolfgang Reitherman and Art Stevens

While shooting a fake, gritty, humanized, yet somehow more loyal to the source material, version of Garfield directed by the Coen brothers , the Critic reviews the live-action/CGI-animated film adaptation of Garfield . He states that it is the first time he actually hates anything in Garfield media, heavily panning the plot, acting, effects, jokes, product placement, romance and the fact that the title character is the only one in the movie that resembles his comic strip counterpart. Special criticism is reserved for the scenes where the audience is completely impressed with Odie merely bouncing on his hind-legs and a scene where the villain reveals that he hates Lasagna, which he felt was completely pointless, seeing how it adds nothing to the plot and is never brought up again.

Channel Awesome Tag: Bill Murray as Garfield: "Or, maybe I'll get a CAT scan. A Cat scan!"

Screenplay: Ron Clements, John Musker, Donald McEnery, Bob Shaw and Irene Mecchi

Doug Walker, Malcolm Ray, Tamara Chambers, Andre Meadows

Screenplay: Robert L. Baird, Dan Gerson and Jordan Roberts

The Critic reviews Tim Burton's remake of Planet of the Apes . The video begins with an Honest Trailer of the show, which also mentions the several removals of Nostalgia Critic videos from YouTube. After that, the Critic encounters a time traveller from the year 2001, and assigns Malcolm to bring her up to speed on recent trends in movies, particularly "re-imaginings." In the review, though he commends the film for being one of the first re-imaginings of a classic and praises the ape makeup , costumes and attention to detail in their movements, he considers it an altogether terrible film, criticizing the characters, inconsistent acting , annoying homages to the original, dialogue, creepy love triangle, and unfocused setting, science, and symbolism. Special criticism is reserved for the infamously confusing ending. During the review, a spoof "Thade for President" advert is shown, with Terl shown as his running-mate. At the end, the time traveller leaves to explore the world of 2015, and in a spoof of the ending of the 1968 original, discovers that Jem and the Holograms has been adapted into a film.

Channel Awesome Tag: Tim Roth as General Thade: "Do you have a towel?"

The Critic reviews the third and final installment of the franchise, The Matrix Revolutions . He claims that this film focuses more on dull and repetitive dialogue than actual action, criticizing the scenery, the overlong scenes, what action there is for being as dull as the dialogue, and characters not showing much emotion. Special criticism is reserved for the final fight scene between Neo and Agent Smith as the Critic considers it underwhelming compared to the "burly brawl" between Neo and the Smith clones in Reloaded along with the boss fight against MegaSmith in the video game The Matrix: Path of Neo, while special praise is reserved for Smith's hilariously over-the-top laugh, as well as his line "Cookies need love like everything does". In the end, he feels that, while not good, the series still had a big impact on cinema and none of them, not even the third, is awful.

During the review, Agent Schmuck has revealed to have taken control of Malcolmus and Tamity , but in a strange twist, it's revealed that Agent Schmuck is actually a character from Dark City, who, after that flopped, made the series and later manipulated the Critic into making it popular again by reviewing it, much like what the Critic tried to do with Foodfight. Schmuck, however, is then defeated when Chester A. Bum gives the Critic a needle that allows him to ruin anything.

Channel Awesome Tag: Hugo Weaving as Agent Smith: “Cookies need love like everything does.”

Story: Vance Gerry, Mike Gabriel, Roger Allers, Joe Ranft, Gary Trousdale, Jim Mitchell, Kevin Lima, Chris Bailey, Michael Cedeno, Kirk Wise, Peter Young, David Michener and Leon Joosen
Inspired by: "Jack and the Beanstalk" by Benjamin Tabart
Story/Screenplay: Erdman Penner, Joe Rinaldi, Ralph Wright and Don DaGradi

Craigavon County Armagh, Northern Ireland

Directors: Ben Sharpsteen , Hamilton Luske , William "Bill" Roberts, Norman Ferguson, Jack Kinney, Wilfred Jackson and T. Hee
Based on: Dumbo, the Flying Elephant by Helen Aberson
Based on: The Jungle Book by Rudyard Kipling
Based on: "Beauty and the Beast" by Jeanne-Marie Le Prince de Beaumont