House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco songs to give them a more mechanical beat and deeper basslines. The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Mr. Lee, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture and others. From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit before becoming a worldwide phenomenon. House has had a large impact on pop music, especially dance music. It was incorporated by major pop artists including Janet Jackson, Madonna and Kylie Minogue, but also produced some mainstream hits on its own, such as "French Kiss" by Lil Louis (1989), "Show Me Love" by Robin S. (1992) or "Push the Feeling On" by Nightcrawlers (1992/1995). Many house producers also did and continue to do remixes for pop artists. Until today, house music has remained popular on radio and in clubs while retaining a foothold on the underground scenes across the globe.

Rana Sangram Singh Sisodia (12 April 1482 – 30 January 1528), popularly known as Rana Sanga, was an Indian Hindu ruler of Mewar who reunited several Rajput clans to form a powerful Rajput confederation in Rajputana (present-day Rajasthan) during the 16th century. He succeeded his father, Rana Raimal, as the ruler of Mewar in 1508. Sanga contemporarily fought against the Afghan Lodhi dynasty and Turkic Mughals during his lifetime. At its peak, his dominion covered present-day Rajasthan, Northern Gujarat and Western parts of present-day Madhya Pradesh, with his capital at Chittor.

House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco songs to give them a more mechanical beat and deeper basslines.