مصر السفلى

This is a list of the mammal species recorded in Rwanda. There are 189 mammal species in Rwanda, of which two are critically endangered, four are endangered, eleven are vulnerable, and five are near threatened. The following tags are used to highlight each species' conservation status as assessed by the International Union for Conservation of Nature: Some species were assessed using an earlier set of criteria. Species assessed using this system have the following instead of near threatened and least concern categories:

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Tomb of Ferdinand van den Eynde

Lord & Taylor

List of mammals of Rwanda

Lower Egypt (Arabic: مصر السفلى‎ Miṣr as-Suflā, Coptic: ⲧⲥⲁϦⲏⲧ Tsakhit) is the northernmost region of Egypt, which consists of the fertile Nile Delta between Upper Egypt and the Mediterranean Sea, from El Aiyat, south of modern-day Cairo, and Dahshur. Historically, the Nile River split into seven branches of the delta in Lower Egypt. Lower Egypt was divided into nomes and began to advance as a civilization after 3600 BC. Today, it contains two major channels that flow through the delta of the Nile River.
Lower Egypt

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The Tomb of Ferdinand van den Eynde is a sculptural monument designed and executed by François Duquesnoy. It is located in the church of Santa Maria dell'Anima in Rome. Duquesnoy secured the commission thanks to Pietro Pescatore, alias De Visschere, or Pieter Visscher, a Flemish merchant. The site for Eynde's epitaph was granted by the church administration on 3 August 1633. Visscher and Baldoin Breyel were charged with overseeing the tomb's execution Both of them had been friends of the deceased, who belonged to the expatriate Netherlandish community of Santa Maria dell'Anima in Rome. It was completed between 1633 and 1640.

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ⲧⲥⲁϦⲏⲧ, ⲡⲥⲁⲙⲉⲛϩⲓⲧ

The Tomb of Ferdinand van den Eynde is a sculptural monument designed and executed by François Duquesnoy. It is located in the church of Santa Maria dell'Anima in Rome. Duquesnoy secured the commission thanks to Pietro Pescatore, alias De Visschere, or Pieter Visscher, a Flemish merchant. The site for Eynde's epitaph was granted by the church administration on 3 August 1633. Visscher and Baldoin Breyel were charged with overseeing the tomb's execution Both of them had been friends of the deceased, who belonged to the expatriate Netherlandish community of Santa Maria dell'Anima in Rome. It was completed between 1633 and 1640. The putti that compose van den Eynde's epitaph, especially the righthand putto, are considered "the peak of the evolution of the putto in sculpture" and one of Duquesnoy's best realizations. Copies of Duquesnoy’s putti, whether in plaster or wax, were owned by many artists in Rome and Northern Europe. Plaster castings of the putti that decorate Van den Eynde's tomb were listed in the studio inventories of the Flemish sculptor Peter Verpoorten and the Italian artist Ercole Ferrata in Rome, as well as in the Antwerp studios of Erasmus Quellinus II and Peter Paul Rubens. Both Giovanni Battista Passeri and Giovanni Pietro Bellori stressed the fame of the Van den Eynde's putti, which served as models of the infant putto for contemporary artists. Many other artists, such as Peter Paul Rubens and Johann Joachim Winckelmann (generally a harsh critic of Baroque sculpture) lauded the Van den Eynde's putti. Throughout the following centuries, artists from around the world have portrayed the Van den Eynde's epitaph in painting and drawing. Among the drawings which survive today, there are those of Johan Sylvius, Jean-Robert Ango, and Augustin Pajou.